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Neue Gartenparadiese fuer Kinder Clare MatthewsClive Nichols ESEC '87 (Lecture Notes in Computer Science) Howard K. Nichols?Dan Simpson? Die wiederentdeckte Kunst des Zuhoerens Michael P. Nichols? Chopper Dave NicholsMichael Lichter Die Psychologie des Tarot Sallie Nichols? Law Enforcement Patrol Operations Police Systems and Practices Larry Nichols? Law Enforcement Patrol Operations Police Systems and Practices Larry Nichols? Law Enforcement Patrol Operations Police Systems and Practices Larry D. Nichols? Law Enforcement Patrol Operations Larry D. Nichols? Texas Peace Officer The Basic Training Course Ray K. Robbins?Larry Nichols?Donald Harrelson? The California Peace Officer Ray K. Robbins?Larry D. Nichols?Barry F. Dineen? Texas Peace Officer Ray K. Robbins?Larry Nichols?Donald Harrelson? Www.Imaging Efficient Image Preparation for the World Wide Web (Design Directories) Robin NicholsPhilip Andrews? Backstreet Boys The Unofficial Book Angie Nichols? Backstreet Boys Confidential Angie Nichols? Britney Spears Angela Nichols? 98 Degrees The Unofficial Book Angie Nichols? N Sync Angie Nichols? N Snyc Confidential Angie Nichols? Boundary Waters James Nichols? Twenty Best Film Plays Dudley Nichols? Specialty Cookbooks A Subject Guide (Garland Reference Library of the Humanities) Harriet Ostroff?Tom Nichols? Ending Marriage, Keeping Faith A New Guide Through the Spiritual Journey of Divorce J. Randall Nichols? Point-Of-Care Testing Performance Improvement and Evidence-Based Outcomes (Medical Psychiatry) James H. Nichols? Commentary On Peter Jude Martin Luther?John Nichols Lenker? Guidelines for Nurse Practitioners in Gynecologic Settings Joellen W. Hawkins?Diane M. Roberto-Nichols?J. Lynn Stanley-Haney? Transitions in a Woman's Life Major Life Events in Developmental Context (Springer Series Focus on Women) Ramona Thieme Mercer?Elizabeth Gackstetter Nichols?Glen Caspers Doyle? Lincoln and the Indians Civil War Policy and Politics David A. Nichols? J.C.Nichols and the Shaping of Kansas City William S. Worley? J.C. Nichols and the Shaping of Kansas City Innovation in Planned Residential Communities William S. Worley? Dancing on the Stones Selected Essays John Treadwell Nichols? Dancing on the Stones Selected Essays John Treadwell Nichols? Perspectives on Campus Tensions Papers Prepared for the Special Committee on Campus Tensions Special Committee on Campus Tensions?Kenneth E. Boulding?David C. Nichols? Day by Day Through the New Testament The Gospels (Day by Day Through the New Testament) C. William Nichols? Day by Day Through the New Testament Acts to Revelation C. William Nichols? Day by Day Through the Psalms C. William Nichols? Discovering the Plain Truth How the Worldwide Church of God Encountered the Gospel of Grace Larry A. Nichols?George Mather? Classic American Cars Richard Nichols? Corvette 1953 To Present Richard Nichols? Dream Cars Richard Nichols? America's Classic Cars Richard Nichols? The Winter Garden Structure, Planting and Romance in the Garden in Winter (Gardens) Eluned Price?Clive Nichols 50 Quick Healthy Vegetarian Dishes Step by Step Annie Nichols Kid on the River Dean Nichols? Two Cats to Puerto Rico A Sialor's Yarns and Observations Dean Nichols? Copper Sands The N.P.M.W.A.R.A. Dean Nichols? Isaiah Thomas Printer Writer and Collector A Paper Read April 12, 1911, Before the Club of Odd Volumes (Burt Franklin Research Source Works Series, 438) Charles Nichols? I'm No Ordinary Chicken (Young Friends Series) Roy Nichols?Doris Nichols?Paul Mangold? Nobody Likes Me Roy Nichols?Doris Nichols? Will You Be My Friend (Young Friends Series) Roy Nichols?Doris Nichols?Paul Mangold? How Mountain Gorillas Live (Animal Worlds) Virginia Harrison?Michael Nichols? Mountain Gorillas in Danger (Animal Worlds) Rita Ritchie?Michael Nichols? Democracy and the Churches James Hastings Nichols? Primer for Protestants James Hastings Nichols? Ariadne's Lives Nina Davinci Nichols? Composition Starters Austin Nichols? Storytimes for Two-Year-Olds Judy Nichols?Lori D. Sears? Storytimes for Two-Year-Olds Judy Nichols?Lori D. Sears? Storytimes for Two-year-olds Judy Nichols?Lori D. Sears? Readings in American Government Mary P. Nichols? Maintaining Nonunion Status Cornelius Quinn?Thomas Hill?James L. Nichols? Research and Development and the Prospects for International Security Frederick Seitz?Rodney W Nichols? Theory and Practice of Microprocessors Kenneth Graham Nichols? Theory and Practice of Microprocessors Kenneth Graham Nichols?E. J. Zaluska? Citizens and Statesmen A Study of Aristotle's Politics Mary P. Nichols? Citizens and Statesmen A Study of Aristotle's Politics Mary P. Nichols? Reconstructing Woody Art, Love, and Life in the Films of Woody Allen Mary P. Nichols? Reconstructing Woody Art, Love, and Life in the Films of Woody Allen Mary P. Nichols? Palladio in America Walter Muir Whitehill?Frederic D Nichols? Michael Graves Buildings and Projects, 1990-1994 Michael Graves?Karen Nichols?Lisa Burke?Patrick Burke?Janet Abrams? Michael Graves Buildings and Projects 1990-1994 Janet Abrams?Karen Nichols?Lisa Burke?Patrick Burke? Potatoes From Pancakes to Pommes Frites Annie NicholsPeter Myers Michael Graves Buildings and Projects 1995-2003 Francisco Sanin?Karen Nichols? Christmas With Southern Living, 1988 (Christmas With Southern Living) Kathleen English?Alison Nichols? Creative Ideas for Christmas 1988 (American Country Christmas) Kathleen English?Alison Nichols? Hooked on Traprock Rock Climbing in Central Connecticut Ken Nichols? Every Day With God A Child's Daily Bible (Selections from the International Children's Bible) Doris Nichols?Roy Nichols?Jim Padgett? Building Sales With Demographics and Psychographics The Road to Your Most Profitable Markets Judith E. Nichols? The Book of Druidry Ross Nichols? Spread of Educational Technology Philip Hills?John Gilbert? Perspectives on Academic Gaming and Simulation One and Two Jacquetta Megarry? Simulation in Management and Business Education Lynyon Gray?Ian Waitt? Expatriate Compensation and Benefits An Employer's Handbook John Rayman?Bill Twinn? The Canti With a Selection of His Prose Giacomo Leopardi?J. G. Nichols? Risk Business British Industrial Design Innovation Michael Blakstad? The Guinness Sports Yearbook David Coleman?Peter Nichols? Seeable Signs The Iconography of the Seven Sacraments, 1350-1544 Ann Eljenholm Nichols? Designing With Grc A Briefing Guide for Architects John Young? Traditional English Pub A Way of Drinking Ben Davis? Specification Clauses for Rehabilitation and Conversion Work Anthony Richardson?Levitt Bernstein? The Stubble Field Mary Nichols? Abortion and Martyrdom Aidan Nichols? Wisdom from Above Aidan Nichols? The Poetry of Sir Philip Sidney (English Texts Studies) J.G. Nichols? Advances in Non-Destructive Examination for Structural Integrity R. W. Nichols? Towards the Community University Case Studies of Innovation and Community Service (International Yearbook of Educational and Training Technology) David C. B. Teather? Aerosol Particle Size Analysis Good Calibration Practices W. D. Griffiths?D. Mark?I. A. Marshall?A. L. Nichols? Developing Landscapes of Lowland Britain The Archaeology of the British Gravels a Review (Occasional Papers, 14) M. Fulford?E. Nichols? Social Survey Methods A Guide for Development Workers (Oxfam Development Guidelines) Paul Nichols? The Colloquies and Selected Letters Guido Gozzano?J. G. Nichols? Halcyon Gabriele D Annunzio?J.G. Nichols? Stagecoach A Film by John Ford and Dudley Nichols (Classic Film Scripts) Dudley Nichols? Non-Ferrous Metals Their Role in Industrial Development Lotte Muller-Oblsen? Curves (Shape Play) Frank Nichols? The Shape of Catholic Theology Aidan Nichols? The Thought of Pope Benedict XVI An Introduction to the Theology of Joseph Ratzinger Aidan Nichols? The Fat Black Woman's Poems (Virago Poets) Grace Nichols? Whole of a Morning Sky Grace Nichols? Whole of a Morning Sky Grace Nichols? Classic Cars Richard Nichols?Patrick B. Whitehouse? Actors at Work Rosemarie Tichler?Barry Jay Kaplan?Mike Nichols? Psychoeducation An Idea Whose Time Has Come (Third Ccbd Mini-Library Series) Mary M. Wood?Larry K. Brendtro?Frank A. Fecser?Polly Nichols? How to Show Your Own Dog Virginia Nichols? Workshop Solutions Tips and Techniques for the Do-It-Yourselfer (Home Workshop Series) Workbench Magazine? Woodworking Workbook T. Nichols? Lora Webb Nichols Homesteader's Daughter, Miner's Bride Nancy F. Anderson?Kathy Evertz?Lora Webb Nicholas? On Yankee Station The Naval Air War over Vietnam John B. Nichols?Barrett Tillman? The Great Apes Between Two Worlds Michael Nichols? The Stubble Field Mary Nichols? Life Cycle Investing Investing for the Times of Your Life Donald R. Nichols? The Complete Book of Gold Investing Jeffrey A. Nichols? The Dow Jones-Irwin Guide to Zero Coupon Investments Donald R. Nichols? The Handbook of Investor Relations Donald R. Nichols? Guide to Reference Books for School Media Centers (Guide to Reference Materials for School Media Centers) Margaret Irby Nichols?Christine Gehrt Wynar? Young People's Books in Series Fiction and Non-Fiction, 1975-1991 Judith K. Rosenberg?C. Allen Nichols? Building Dances A Guide to Putting Movements Together/Includes Book and Dance Cards Susan McGreevy-Nichols?Helene Scheff? Dakota Grammar With Texts and Ethnography Stephen R. Riggs?James Owen Dorsey?John D. Nichols Stephen Long and American Frontier Exploration Roger L. Nichols?Patrick L. Halley? 50 Activities for Developing Supervisory Skills Jan Nichols? Meaning of Mannerism Franklin W. Robinson?Stephen G. Nichols? Mimesis From Mirror to Method, Augustine to Descartes John D. Lyons?Stephen G. Nichols? Francis W Edmonds American Master in the Dutch Tradition H. Nichols B. Clark? River Runners' Guide to Utah and Adjacent Areas Gary C. Nichols? River Runners' Guide to Utah and Adjacent Areas Gary C. Nichols? Money Sense The Parents' Guide to Teaching Children About Money Harwood S. Nichols? God the Universe and Self Lonnie J. Nichols? New Orleans (Downtown America Book) Joan Kane Nichols? Jonathan Edwards' Resolutions And Advice to Young Converts Jonathan Edwards?Stephen J. Nichols? Jonathan Edwards A Guided Tour to His Life and Thought Stephen J. Nichols? Martin Luther A Guided Tour of His Life and Thought Stephen J. Nichols? Martin Luther's 95 Theses Martin Luther?Stephen J. Nichols? Anne Bradstreet A Guided Tour of the Life And Thought of a Puritan Poet Heidi L. Nichols? J. Gresham Machen A Guided Tour of His Life and Thought Stephen J. Nichols? Pages from Church History A Guided Tour of Christian Classics Stephen J. Nichols? J. Gresham Machen's The Gospel And The Modern World And Other Short Writings J. Gresham Machen?Stephen J. Nichols? An Absolute Sort of Certainty The Holy Spirit and the Apologetics of Jonathan Edwards Stephen J. Nichols? The Trinity River Mike Nichols?Thomas Southall?Luther Smith? Reach for the Top Women and the Changing Facts of Work Life (A Harvard Business Review Book) Nancy Ann Nichols? Reach for the Top Women and the Changing Facts of Work Life Nancy Ann Nichols? Institutional Effectiveness and Outcomes Assessment Implementation on Campus A Practitioner's Handbook James O. Nichols? A Practitioner's Handbook for Institutional Effectiveness and Student Outcomes Assessment Implementation James O. Nichols? The Departmental Guide to Implementation of Student Outcomes Assessment and Institutional Effectiveness by James O. Nichols James O. Nichols? Assessment Case Studies Common Issues in Implementation With Various Campus Approaches to Resolution James O. Nichols? A Practitioner's Handbook for Institutional Effectiveness and Student Outcomes Assessment Implementation James O. Nichols? The Departmental Guide and Record Book for Student Outcomes Assessment and Institutional Effectiveness James O. Nichols? The Departmental Guide and Record Book for Student Outcomes Assessment and Institutional Effectiveness James O. Nichols?Karen W. Nichols? General Education Assessment for Improvement of Student Academic Achievement Guidance for Academic Departments and Committees James O. Nichols?Karen W. Nichols? Dog Training Projects for Young People Joel M. McMains?Anita Nichols? The French Legation in Texas Nancy Nichols Barker? The Self in the System Expanding the Limits of Family Therapy Michael P. Nichols? Show Your Own Dog Virginia Tuck Nichols? Jung and Tarot An Archetypal Journey Sallie Nichols? Jung and Tarot An Archetypal Journey Sallie Nichols? Currency of the Heart A Year of Investing, Death, Work, and Coins (The Iowa Series) Donald R. Nichols?Patricia Hampl?Carl H. Klaus? Fundamentals of Oil Gas Accounting Rebecca A. Gallun?John W. Stevenson?Linda M. Nichols? Fundamentals of Oil and Gas Accounting Rebecca A. Gallun?Charlotte J., Ph.D. Wright?Linda M. Nichols?John W. Stevenson? On the Mesa John Nichols? A Fragile Beauty John Nichols' Milagro Country John Treadwell Nichols? Medieval Religious Women Distant Echoes (Cistercian Studies Series) John A. Nichols?Lillian Thomas Shank? Distant Echoes (Cistercian Studies Series, No 71) John A. Nichols?Lillian Thomas Shank? Medieval Religious Women Peaceweavers (Cistercian Studies Series) Lillian Thomas Shank?John A. Nichols? Story of the Great March George Ward Nichols? The Drum Handbook Buying, Maintaining, and Getting the Best from Your Drum Kit Geoff Nichols? Nick and the Cyclones Mike Chapman? Building More Dances Blueprints for Putting Movements Together Susan McGreevy-Nichols?Helene Scheff?Marty Sprague? Summer Words, 2000 Robert Nichols? The History of Pediatrics, 1850-1950 (Nestle Nutrition Workshop Series) Buford L. Nichols?Angel Ballabriga?Norman Kretchmer? Merry Hall (Beverley Nichols Trilogy) Beverley Nichols?Nichols Beverley? Beverly Nichols A Life Bryan Connon? Laughter on the Stairs (Merry Hall Trilogy) Beverley Nichols? Sunlight on the Lawn (Beverley Nichols Trilogy) Beverley Nichols? Garden Open Today Beverley Nichols? Garden Open Tomorrow Beverley Nichols? Beverley Nichols' Cats' A. B. C Beverley Nichols? Down The Garden Path Bryan Connon?Beverley Nichols? A Thatched Roof (Beverley Nichols's Allways Trilogy) Roy C. Dicks?Beverley Nichols? A Village In A Valley (Beverley Nichols's Allways Trilogy) Bryan Connon?Beverley Nichols? Green Grows the City The Story of a London Garden Beverley Nichols? Down the Kitchen Sink Beverley Nichols? Black Men in Chains Narratives by Escaped Slaves Charles Harold Nichols? Sweet and Hard Cider Annie Proulx?Lew Nichols? Sweet and Hard Cider Making It, Using It and Enjoying It Annie Proulx?Lew Nichols? Cider Making, Using Enjoying Sweet Hard Cider Annie Proulx?Lew Nichols? Black Hawk And the Warrior's Path (American Biographical History Series) Roger L. Nichols? Animals of Africa Thomas B. Allen?Frans Lanting?Michael Nichols?Mitsuaki IwagoJim Brandenburg? God's Plans for Your Finances Dwight Nichols? Investing in Uncertain Times Donald R. Nichols? Personal Investor's Complete Book of Bonds Donald R. Nichols? Lectionary-Based Gospel Dramas Seasons of Advent, Christmas, and Epiphany Sheilo O. Connell-Roussell?Terri Vorndran Nichols? Charlotte Hornets (NBA Today (Mankato, Minn.).) John Nichols?Richard Rambeck? Miami Heat Story (NBA Today (Mankato, Minn.).) John Nichols?Richard Rambeck? Minnesota Timberwolves (NBA Today (Mankato, Minn.).) John Nichols?Richard Rambeck? Orlando Magic (NBA Today (Mankato, Minn.).) John Nichols?Richard Rambeck? The History of the Florida Marlins (Baseball (Mankato, Minn.).) John Nichols? The History of the Tampa Bay Devil Rays (Baseball (Mankato, Minn.).) John Nichols? Big Red! The Nebraska Cornhuskers Story (College Football Today (Mankato, Minn.).) John Nichols? Milagro Beanfield War John Treadwell Nichols? Socrates and the Political Community An Ancient Debate (Suny Series in Political Theory Contemporary Issues) Mary P. Nichols? Socrates and the Political Community An Ancient Debate (Suny Series in Political Theory) Mary P. Nichols? Sex Differences Modern Biology and the Unisex Fallacy Yves Christen?Nichols Davidson? Silk Stalkings When Women Write of Murder Victoria Nichols?Susan Thompson? Slow Monkeys and Other Stories Jim Nichols? Angels and Anger Five Canadian Acadian Plays in Translation Glen Freeman Nichols? The Poacher's Daughter Mary Nichols? Portage Lake Memories of an Ojibwe Childhood Maude Kegg?John Nichols? Glen Canyon Images of a Lost World Tad Nichols? Chistes Hispanic Humor of Northern New Mexico and Southern Colorado Nasario Garcia?John Nichols? Chistes Hispanic Humor of Northern New Mexico and Southern Colorado John Nichols?Nasario Garcia? Archaeology The Study of the Past Peter Nichols?Belia Nichols?Linda Battles Herron? Mastodon Hunters to Mound Builders North American Archaeology Peter Nichols?Bella Nichols? "Mr. McCamery" Claude W. Brown The Life of a Texas Oil Man Robert Nash?Peggy Nichols Nash? Art of Henna The Ultimate Body Art Book Kit Pamela Nichols? The Art of Henna The Ultimate Body Art Book and Kit Pamela Nichols? A Century in the Works Freese and Nichols Consulting Engineers 1894-1994 Simon W. Freese?Deborah Lightfoot Sizemore? Erosion and Productivity of Soil Containing Rock Fragments (S S S a Special Publication) J. D. Nichols?P. L. Brown?William J. Grant? Research in Urban Policy Coping With Urban Austerity (Research in Urban Policy) Terry Nichols Clark? Research in Urban Policy Fiscal Austerity and Urban Management Volume 2 Part A (Research in Urban Policy) Terry Nichols Clark? Freedom from Financial Bondage How to Overcome Financial Frustration and Walk in God's Supernatural Provisions Dwight Nichols? Force Outboards 1984-99 Repair Manual 3-150 Horsepower, 1-4 Cylinder (Seloc Marine Tune-Up and Repair Manuals) Nichols Publishing? Gorilla Struggle for Survival in the Virungas Michael Nichols?George B. Schaller?Nan Richardson? Gorilla Struggle for Survival in the Virungas Michael Nichols?George B. Schaller?Nan Richardson? Brutal Kinship Michael Nichols?Jane Goodall International Relations Theory A Critical Bibliography A. J. R. Groom? Atlantic Alliance A Bibliography (216p) Colin Gordon? Future With Microelectronics Forecasting the Effects of Information Technology (234p) Iann Barron? Study and Teaching of International Relations A Perspective on Mid-Career Education Randolph C. Kent?Gunnar P. Nielsson? Group Tutoring Concepts and Case Studies Wyn Bramley? Aid in Africa Guy Arnold? Guide to Precious Metals and Their Markets Peter Robbins? Air Conditioning and Energy Conservation A. F. C. Sherratt? Psychology of Written Communication Selected Readings James Hartley? Microcomputers in Secondary Education Proceedings of the Conference of the British Educational Research Association, 1980 Jim Howe?Peter Ross? Green Grows the City The Story of a London Garden Beverley Nichols? Pitfalls and Planning in Student Teaching John Heywood? A Handbook of Game Design Henry Ellington? Changing Priorities in Teacher Education Richard Goodings? Mergers, Motives, Modes, Methods Walter Goldberg? Curriculum Theory in Adult and Lifelong Education Colin Griffin? Video in Higher Education Ortrun Zuber-Skerritt? Case Studies in Game Design Henry Ellington?Eric Addinall?Fred Percival? Mitchell's Movement Control in the Fabric of Buildings Philip Rainger? Construction Project Management Using Small Computers Glen Peters? Marinas A Working Guide to Their Development and Design Donald W. Adie? The London Metal Exchange A Commodity Market Robert Gibson-Jarvie? Designing Instructional Systems A. J. Romiszowski? Behaviour Technology A New Approach to Managing People at Work Michael Wellin? Report Writing for Architects David Chappell? Energy Conservation Equipment Rudolph Maximilian Eugen Diamant? The Skills of Leadership John Eric Adair? Stress in Teaching Jack Dunham? Integrated Programs for Handicapped Adolescents and Adults (Rehabilitation Education a Series in Developmental Handicap, Vol. 1) Roy I. Brown? Developing Auto-Instructional Materials From Programmed Texts to Cal and Interactive Video (Instructional Development, No 2) A. J. Romiszowski? Skills of Human Relations Training A Guide for Managers and Practitioners Leslie Rae? The Future of Urban Form The Impact of New Technology John Brotchie?Peter Newton?Peter Hall?Peter Nijkamp? Designing Instructional Text James Hartley? Computer-Aided Management A Manager's Guide to Profitable Computing Norman Sanders? Guide to World Commodity Markets Gerald Roberts? Multi-Story Buildings in Steel F. Hart?W. Henn?H. Sontag?Bernard Godfrey? Shopping Centre Development Policies and Prospects John A. Dawson?J. Dennis Lord? Games for Social and Life Skills Tim Bond? Industrial Product Innovation Organisation and Management F. A. Johne? International Yearbook of Educational and Instructional Technology, 1986/87 (International Yearbook of Educational and Training Technology) Chris W. Osborne? Dictionary of Instructional Technology (Aett Occasional Publication, No. 6) Henry Ellington?Duncan Harris?N. D. C. Harris? Producing Instructional Systems Lesson Planning for Individualized and Group Learning Activities (Instructional Development, No 1) A. J. Romiszowski? The Skills of Communicating Bill P. Scott? Theoretical and Conceptual Bases of Instructional Design Rita Richey? Multinational Enterprise An Encyclopedic Dictionary of Concepts and Terms Ankie Hoogvelt?Anthony G. Puxty? Landscape Planning (The Built Environment Series) Tom Turner? CAD and Robotics in Architecture and Construction Proceedings of the Joint International Conference at Marseilles, 25-27 June 1986 The Ergonomics Payoff Designing the Electronic Office Rani Lueder? Architectural Design and CAD Yvon Gardan? Challenges in Educational Management Principles into Practice W. F. Dennison? Developing Auto-Instructional Materials From Programmed Texts to Cal and Interactive Video (Instructional Development, No 2) A. J. Romiszowski? Assessing Students How Shall We Know Them? Derek Rowntree? Dictionary of Computing Information Technology A. J. Meadows?M. Gordon?A. Singleton? Teaching Mathematics 5 to 11 David Lumb? Teaching Mathematics 5 to 11 David Lumb? Doing Business in Korea Arthur M. Whitehill? Air Conditioning Impact on the Built Environment A. F. C. Sherratt? Playgrounds The Planning, Design and Construction of Play Environments Peter Heseltine?John Holborn? The Art and Craft of Course Design Tony Earl? Leadership Training Through Gaming Power, People and Problem-Solving Elizabeth M. Christopher?Larry E. Smith? The Marketing Mirage How to Make It a Reality Colin McIver? Simulations A Handbook for Teachers and Trainers Ken Jones? A Business Plan Planning for the Small Business Alan West? Understanding Teenagers' Reading Reading Processes and the Teaching of Literature Jack Thomson? Prolog, Children and Students (Fifth Generation Computing in Education Series) Jon Nichol?Jonathan Briggs?Jackie Dean? Developing Student Autonomy in Learning David Boud? The Skills of Interviewing A Guide for Managers and Trainers Leslie Rae? Corporate Cash Management Philippa L. Back?
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Routing in Communications Networks Prentice Hall? Martha Steenstrup? PrenticeHall? MarthaSteenstrup? ジャンル別? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-Bridges&Routers? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-CertificationCentral-Publisher-PrenticeHall? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Engineering-Telecommunications-Networks? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-Networks? 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James A. Bontadelli? Elin M. Wicks? E. Paul Degarmo? PrenticeHall? WilliamG.Sullivan? JamesA.Bontadelli? ElinM.Wicks? E.PaulDegarmo? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Finance-CorporateFinance? Subjects-Engineering-Economics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-EngineeringEconomics? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Nonfiction-Economics-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-EngineeringEconomics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Economics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Finance-CorporateFinance? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-General Electricity, Electronics and Control Systems for Hvac Prentice Hall? Thomas E. Kissell? PrenticeHall? ThomasE.Kissell? ジャンル別? Substores-UnknownASINs-61? Subjects-Business&Investing-Careers-VocationalGuidance? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-ControlEngineering-General? Subjects-Home&Garden-How-to&HomeImprovements-Electrical? Subjects-Nonfiction-Education-Counseling-VocationalGuidance? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-ControlEngineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Education-Counseling-VocationalGuidance? Subjects-Reference-Careers-VocationalGuidance? Subjects-Science-General Geotechnical Aspects of Landfill Design and Construction Prentice Hall? Xuede Qian? Donald H. Gray? Robert M. Koerner? PrenticeHall? XuedeQian? DonaldH.Gray? RobertM.Koerner? ジャンル別? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Geotechnical? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-General? Subjects-Outdoors&Nature-Environment-Recycling? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Geotechnical? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Geology-Geomorphology-Landforms? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Recycling? Introduction to Matlab (Esource--The Prentice Hall Engineering Source) Prentice Hall College Div? D. M. Etter? David C. Kuncicky? PrenticeHallCollegeDiv? D.M.Etter? DavidC.Kuncicky? ジャンル別? Substores-UnknownASINs-5? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-General? Subjects-Computers&Internet-Programming-Graphics&Multimedia-Matlab? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Science-General Subjects-Science-Mathematics-Applied-General? Paynter's Introductory Electronic Devices and Circuits Prentice Hall College Div? Robert T. Paynter? John Clemons? Fred Evangelisti? Fred Kerr? PrenticeHallCollegeDiv? RobertT.Paynter? JohnClemons? FredEvangelisti? FredKerr? ジャンル別? Substores-UnknownASINs-5? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents? Subjects-Computers&Internet-ComputerScience-Circuitry-SolidStateCircuits? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-Applied? Managerial Economics Economic Tools for Today's Decision Makers (Prentice-Hall Series in Economics) Prentice Hall? Paul G. Keat? Philip K. Y. Young? PrenticeHall? PaulG.Keat? PhilipK.Y.Young? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Business&Investing-Economics-Microeconomics? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-General? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-Microeconomics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Microeconomics? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Reference-Careers-Entrepreneurship? Electronic Devices A Design Approach Prentice Hall College Div? Ali Aminian? Marian K. Kazimierczuk? PrenticeHallCollegeDiv? AliAminian? MarianK.Kazimierczuk? ジャンル別? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitDesign? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Applied? Marketing of High-Technology Products and Innovations Prentice Hall? Jakki J. Mohr? PrenticeHall? JakkiJ.Mohr? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Marketing&Sales-Advertising? Subjects-Business&Investing-Marketing&Sales-Marketing-General? Subjects-Business&Investing-Marketing&Sales-Marketing-Industrial? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Advertising? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Marketing-General? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Marketing-Industrial? Ground Water Contamination Transport and Remediation Prentice Hall? Philip B. Bedient? Hanadi S. Rifai? Charles J. Newell? PrenticeHall? PhilipB.Bedient? HanadiS.Rifai? CharlesJ.Newell? ジャンル別? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Hydrology? Subjects-Engineering-Civil-Environmental-Groundwater? Subjects-Engineering-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Environmental-Groundwater? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geology-Hydrology? Subjects-Science-General Advanced Strength of Materials Prentice Hall? Enrico Volterra? J.H. Gaines? PrenticeHall? EnricoVolterra? J.H.Gaines? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Advanced Control Systems Design Prentice Hall? Bernard Friedland? PrenticeHall? BernardFriedland? ジャンル別? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Engineering-Mechanical-ControlEngineering-Systems? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-Mechanical-ControlEngineering-Systems? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Graphic Concepts With Pro/Engineer (Esource--The Prentice Hall Engineering Source) Prentice Hall College Div? Richard M. Lueptow? Michael T. Snyder? Jim Steger? PrenticeHallCollegeDiv? RichardM.Lueptow? MichaelT.Snyder? JimSteger? ジャンル別? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-ProEngineer? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-CAD-ProEngineer? Subjects-Computers&Internet-General? Subjects-Engineering-ComputerTechnology-CAD&CAM? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-ComputerTechnology-CAD&CAM? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-ProEngineer? Engineering Materials Technology Structures, Processing, Properties, and Selection Prentice Hall College Div? James A. Jacobs? Thomas F. Kilduff? PrenticeHallCollegeDiv? JamesA.Jacobs? ThomasF.Kilduff? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-Extraction&Processing? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-MaterialsScience-Extraction&Processing? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Electrical Applications for Air Conditioning and Refrigeration Systems Prentice Hall? Billy C. Langley? PrenticeHall? BillyC.Langley? ジャンル別? Substores-UnknownASINs-5? Subjects-Engineering-Civil-Construction-Electrical? Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Electrical&Electronics-SolidState? Subjects-Engineering-General? Subjects-Home&Garden-How-to&HomeImprovements-Heating,Ventilation&AirConditioning? Subjects-Professional&Technical-Engineering-Civil-Construction-Electrical? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-SolidState? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Miller Freund's Probability Statistics for Engineers Prentice Hall College Div? Richard A. Johnson? PrenticeHallCollegeDiv? RichardA.Johnson? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-General Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Orcad Pspice for Windows Devices, Circuits, and Operational Amplifiers Prentice Hall College Div? Roy W. Goody? PrenticeHallCollegeDiv? RoyW.Goody? ジャンル別? Subjects-Business&Investing-Careers-VocationalGuidance? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-Modeling&Simulation? Subjects-Computers&Internet-General? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Electrical&Electronics-Semiconductors? Subjects-Engineering-General? Subjects-Nonfiction-Education-Counseling-VocationalGuidance? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Semiconductors? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Education-Counseling-VocationalGuidance? Subjects-Reference-Careers-VocationalGuidance? Feedback Control Systems/Book and Disk Prentice Hall? J. Vande Vegte? John Van De Vegte? PrenticeHall? J.VandeVegte? JohnVanDeVegte? ジャンル別? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Engineering-Mechanical-ControlEngineering-Systems? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-Mechanical-ControlEngineering-Systems? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Engineering Mechanics Statistic Prentice Hall College Div? R. C. Hibbeler? PrenticeHallCollegeDiv? R.C.Hibbeler? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Engineering Mechanics Dynamics Prentice Hall College Div? R. C. Hibbeler? PrenticeHallCollegeDiv? R.C.Hibbeler? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Dynamics? Subjects-Science-General Subjects-Science-Physics-Dynamics-General? Subjects-Science-Physics-Mechanics? Introduction to Engineering Analysis (Esource--the Prentice Hall Engineering Source) Prentice Hall College Div? Kirk D. Hagen? PrenticeHallCollegeDiv? KirkD.Hagen? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-Engineering-General? Engineering With Excel Prentice Hall? Ronald W. Larsen? PrenticeHall? RonaldW.Larsen? ジャンル別? Subjects-Computers&Internet-Software-Spreadsheets-MicrosoftExcel-General? Subjects-Computers&Internet-Home&Office-Spreadsheets-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Machine Design An Integrated Approach Prentice Hall College Div? Robert L. Norton? PrenticeHallCollegeDiv? RobertL.Norton? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Machinery? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Machinery? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Building for the 21st Century Energy the Environment Prentice Hall? Donna Sioros? PrenticeHall? DonnaSioros? ジャンル別? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Science-General Subjects-Science-Physics-Energy? Autocad Lt 2000 Basics Through Advanced Prentice Hall College Div? David A. Madsen? Rod Rawls? PrenticeHallCollegeDiv? DavidA.Madsen? RodRawls? ジャンル別? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCADLT? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCADLT? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Computers&Internet-General? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCADLT? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Mechanics of Materials Prentice-Hall? R.C. Hibbeler? Prentice-Hall? R.C.Hibbeler? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-Dynamics-FluidDynamics? Aerodynamics for Engineers Prentice Hall? John J. Bertin? Michael L. Smith? PrenticeHall? JohnJ.Bertin? MichaelL.Smith? ジャンル別? Subjects-Engineering-Aerospace-Aerodynamics? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics? Subjects-Professional&Technical-Engineering-General Aerodynamics for Engineers Prentice Hall? John J. Bertin? Michael L. Smith? PrenticeHall? JohnJ.Bertin? MichaelL.Smith? ジャンル別? Subjects-Engineering-Aerospace-Aerodynamics? Subjects-Engineering-Aerospace-Applied? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics? Subjects-Professional&Technical-Engineering-Aerospace-Applied? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Astronomy-Aeronautics&Astronautics? Agricultural and Automotive Diesel Mechanics Prentice Hall? Gene L. Davis? PrenticeHall? GeneL.Davis? ジャンル別? Substores-UnknownASINs-5? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General Air Traffic Controller Training Program Arco Pub? James E. Turner? ArcoPub? JamesE.Turner? ジャンル別? Substores-UnknownASINs-5? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-Airport? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Subjects-Science-Astronomy-Aeronautics&Astronautics? Aircraft Performance Engineering Guidelines from an Aircraft Performance Engineer Prentice Hall? Joop Wagenmakers? PrenticeHall? JoopWagenmakers? ジャンル別? Substores-UnknownASINs-5? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Air Traffic Controller Qualify Prentice Hall? Turner? PrenticeHall? Turner? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Education-General? Subjects-Reference-TestPrepCentral-General? Subjects-Science-Astronomy-Aeronautics&Astronautics? Guide to Energy Management Prentice Hall? Barney Capehart? Wayne Turner? William Kennedy? PrenticeHall? BarneyCapehart? WayneTurner? WilliamKennedy? ジャンル別? Substores-UnknownASINs-5? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Introductory Circuits for Electrical and Computer Engineering Prentice Hall? James W. Nilsson? Susan A. Riedel? PrenticeHall? JamesW.Nilsson? SusanA.Riedel? ジャンル別? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Electrical&Electronics-Circuits-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Labview for Automotive, Telecommunications, Semiconductor, Biomedical, and Other Applications (National Instruments Virtual Instrumentation Series) Prentice Hall? Hall T. Martin? Meg L. Martin? PrenticeHall? HallT.Martin? MegL.Martin? ジャンル別? Subjects-Computers&Internet-Home&Office-Windows-WordProcessing? Subjects-Computers&Internet-ComputerScience-Modeling&Simulation? Subjects-Engineering-SpecialTopics-Measurement? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-SpecialTopics-Measurement? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Engineering Mechanics Dynamics Prentice Hall College Div? Russell C. Hibbeler? PrenticeHallCollegeDiv? RussellC.Hibbeler? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Engineering Mechanics Statics Prentice Hall College Div? R. C. Hibbeler? Russell C Hibbeler? PrenticeHallCollegeDiv? R.C.Hibbeler? RussellCHibbeler? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Professional&Technical-Engineering-General 洋書
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Fine-Grained Deposits and Biofacies of the Cretaceous Western Interior Seaway Evidence of Cyclic Sedimentary Processes Sepm Society for Sedimentary? Lisa M. Pratt? Erle G. Kauffman? Frederick B. Zelt? SepmSocietyforSedimentary? LisaM.Pratt? ErleG.Kauffman? FrederickB.Zelt? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Daring Lady Flyers Canadian Women in the Early Years of Aviation Pottersfield Pr? Joyce Spring? PottersfieldPr? JoyceSpring? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-Canadian? Subjects-Biographies&Memoirs-SpecificGroups-Women? Subjects-Engineering-General? Subjects-History-Americas-Canada-General? Subjects-Professional&Technical-Engineering-General Vertical Ascent Adventures of a Helicopter Pilot Hancock House Pub Ltd? Charles Weir? Tra00200? HancockHousePubLtd? CharlesWeir? Tra00200? ジャンル別? Subjects-Engineering-General? 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このテンプレはポリウト方式で作成されています。 こちらの役名一覧に和訳を記載して管理人までお知らせください。 ERSTES BILD （Bei Paul. Ein kleines Gemach von geringer Tiefe mit alten schweren Möbeln. Der düstere Eindruck langer Unbenütztheit und Unbewohntheit liegt darüber. Die rückwärtige Wand bildet zwei vorspringende Ecken; den Raum zwischen diesen Ecken nehmen drei bis vier zur allgemeinen Auftrittstüre führende Stufen ein, deren oberste so breit ist, daß sie eine Art Podium darstellt. Links (vom Zuschauer) ein in die Wand eingebauter Schrank mit Spiegel. Gestelle mit alten Nippes und Photographien in Rahmen. Auf einem Tischchen eine Glastruhe mit abhebbarem Deckel, in der Art der Glasstürze alter Uhren, darin eine Haarflechte. Links die Türe, die in Mariens Zimme führend zu denken ist. Die linke vorspringende Wand nimmt ein blumenbekränztes, lebensgroßes auf den Boden reichendes Portrait Mariens mit Shawl und Laute ein; davor ein Vorhang (in einer Messingstange, die nur an einem Ende befestigt ist, so daß sie mit dem Vorhang leicht nach vorne zu drehen ist und das Bild sichtbar wird. Blumen auch an Türe und den übrigen Photographierahmen. Breites Fenster rechts nach der Straße mit alten Spitzengardinen. In dessen Nähe ein Fauteuil. In der Ecke (im Vordergrund) Tisch mit Sofagarnitur. Eine Laute an der Wand - Sonniger Spätherbstnachmittag） Erste Szene ▼BRIGITTA▲ （schliesst von außen auf und läßt Frank eintreten） Behutsam! Hier ist alles alt Und gespenstig. （Sie zieht die Gardine hoch. Die Sonne dringt in einem breiten Strahl ins Zimmer） Bis gestern drang keiner In diese Stube außer ihm und mir Die Jahre durch, die er in Brügge lebt. ▼FRANK▲ Und gestern? ▼BRIGITTA▲ Sie sind sein Freund, Her Frank, So seis gesagt. Gestern schien er ganz gewandelt. Er bebte vor Erregung, schluchzt' und lachte. "Türen auf!" so sagte er, "Licht in meinen Tempel! Die Toten stehen auf! ▼FRANK▲ Dies hab' ich nie von ihm gehört. Sonderbar! ▼BRIGITTA▲ Seht, Rosen und Levkojen an den Rahmen （zeigt auf die Türe links） Und an der Türe zu ihrem Zimmer, In dem sie starb. （weist auf das verhängte Bild und dreht den Vorhang zur Seite） Besonders aber dies Bild hat er schön Geschmückt. ▼FRANK▲ Ist sie das? Marie? ▼BRIGITTA▲ Ja, das war sie. In dem hellen, weichen Kleide Das er so liebte. ▼FRANK▲ （betrachtet das Bildnis） Schön! Herrgott! Wie leuchtet dies Haar! ▼BRIGITTA▲ （zeigt auf die Kristalltruhe） Da drunter liegt ein Strähn von diesem Haar. Flüssige Dukaten, nicht wahr? ▼FRANK▲ Er hat es aufbewahrt? Seltsam. ▼BRIGITTA▲ Und hier （mit einer Bewegung über den ganzen Raum hin） Kein Fleck, der nicht von seiner Toten spräche. Er nennt's Kirche des Gewesenen. （Sie hat Frank langsam umhergeführt, der sinnend all die Bilder, Andenken und Reliquien betrachtet.） ▼FRANK▲ So lebt er stets? ▼BRIGITTA▲ Bis gestern immer so. Er sagte "Brügge und ich, wir sind eins. Wir beten Schönstes an Vergangenheit." ▼FRANK▲ Und du, Brigitt? Erträgst Du das? Du, eine Frau? Lockts dich ins Leben nicht hinaus? ▼BRIGITTA▲ Was das Leben ist, weiß ich nicht, Herr Frank, Denn ich bin allein. Hier aber, hier ist Liebe, Herr Frank, das weiß ich. Und wo Liebe, Dort dient eine arme Frau zufrieden. （es schellt draußen） Da ist er! Zweite Szene （Paul tritt ein, nervös von einem Erlebnis erregt） ▼PAUL▲ Frank! Freund! ▼FRANK▲ （lächelnd） Brigitta führte mich in die "Kirche des Gewesenen." ▼PAUL▲ （lebhaft） Des Gewesenen? Nein! （zu Brigitta） Lauf schnell hinab zum Gärtner, Hol' Rosen. Zwei Arme voll! Es soll erglühn hier von roten Rosen. （er hat Brigitta hinausgedrängt. Zu Frank） Du sahst ihr Bild? ▼FRANK▲ Ja, sie war schön, Und viel hast du verloren. ▼PAUL▲ （in das Bild versunken） Marie, Marie, dein Atem, deine Augen! （zu Frank） Wie sagst du? Sie war schön? ▼FRANK▲ Gewiß. ▼PAUL▲ Sie war schön, sagst du? Sie ist schön! Sie ist! Sie ist! ▼FRANK▲ （blickt ihn forschend an） In deiner Phantasie? ▼PAUL▲ Nein, nein, sie lebt! Bald ist sie hier, sie kehrt zurück. O hör ein Märchen, ein Wunder! Du Weißt, das ich in Brügge blieb, um allein zu sein mit meiner Toten. Die tote Frau, die tote Stadt, flossen zu geheimnisvollem Gleichnis. Und täglich schritt ich gleichen Weg, mit ihrem Schatten Arm in Arm, zum Minnewasser, auf die Fläche starrend, ihr teures Bild mit Tränen mir ersehnend, den süßen, sanft in sich gekehrten Blick, den Schimmer ihres goldnen Haars. Und gestern wieder träumt ich am Gitter von der Entschwundenen, von ihr, Marie. Holt mir ihr Antlitz aus der Tiefe, hold und rein, so ganz war sie mir nah, wie einst in den Tagen des Glücks - sehnend, liebend. In meines Schauns Versunkenheit schallen Schritte. Ich horche… ein Schatten gleitet übers Wasser Ich blicke auf; vor mir steht eine Frau im Sonnenlicht. Frank! Frank! Eine Frau. Im Mittagsglast erglänzt Mariens Gold Haar, den Lippen entschwebt Mariens Lächeln. Nicht Ähnlichkeit mehr - nein, ein Wunder, Begnadigung! Es schien sie selbst, sie mein Weib! Ja, mein lebend, mein atmend Weib! Ein Fieber faßte mich nach altem Glück. "Gott", schrie ich, "wenn du mir gnädig bist, gib sie mir zurück!" Und heute Mittag sprach ich sie, bebenden Herzens, zweifelswund und der Wunder größtes Mariens Stimme klang aus ihrem Mund! ▼FRANK▲ Im öden Brügge eine Unbekannte? ▼PAUL▲ Ich weiß nicht, wer sie ist, Lud sie zu mir in meine Einsamkeit. Und sie Kommt, und in ihr kommt Meine Tote, kommt Marie. ▼FRANK▲ （ernst） Hör, Paul, du wagst gefährlich Spiel. Du bist ein Träumer, Bist ein Geisterseher. Ich seh die Dinge, seh die Frauen So wie sie sind. Willst du zum Herrn dich über Tod und Lebe Schwingen? Ein lebend Sein zur Puppe Des Verstorbenen zwingen? Bescheide dich! Zu lang warst du allein, Dein Blut murrt gegen diese Trauer. Seis drum, umarm eine schöne Frau, Doch Tote laß mir schlafen. ▼PAUL▲ （wie einer der nicht zugehört hat, ekstatisch） Ich will den Traum der Wiederkehr vertiefen, Will sie durch diese Türe schreiten, Den Raum durchleuchten sehn, In dem ihr holder Duft noch schwebt, Der Rhythmus ihres süßen Wesens webt. In ihr die kommt, kommt Marie, Kommt meine Tote. ▼FRANK▲ Du schwärmst für ein Phantom! Zu rechter Zeit Hat diese Reise mich zu dir geführt. Mein Freund, dein tief Gefühl Hat dich verwirrt. Dein tief Gefühl muß dich auch heilen. Ich geh, doch bald kehr ich zurück. Das Trugbild weicht, Der Nebel wird sich teilen. （schüttelt Paul mit freundschaftlicher Gebärde die Hand, ihm herzlich ins Auge blickend. Paul begleitet ihn zur Türe.） Dritte Szene ▼PAUL▲ （zum Bilde zurückgehkehrt） Nur deiner harr ich, niemals Verlorne! Wer kann ihn denn verstehen, Unsrer Seelen tief geheimnisvollen Bund? （dreht den Vorhang wieder zurück. Sein Blick fällt auf die Haarreliquie; er hebt inbrünstig den Glasschrein hoch, der in voller Sonne funkelt.） Du Überlebendes von ihrer Schönheit, So wirst du wieder hold erstehn? So werd ich wieder Schimmernd auf weißer Stirn Das Goldgelocke leuchten sehn? Vierte Szene （Brigitta tritt ein, auf beiden Armen Blumen） ▼PAUL▲ （stellt rasch den Schrein nieder） Rosen, so ists recht! （er nimmt ihr die Blumen ab, füllt die Vasen, läuft hin und her） ▼BRIGITTA▲ （zögernd） Gnädger Herr, verschleiert, eine Dame. ▼PAUL▲ （fast schreiend） Und du sagst es nicht? Führ sie herein. ▼BRIGITTA▲ （wie protestierend） Herr Paul, bedenken Sie, die Welt… ▼PAUL▲ Wenn du mich liebst, schweig und gehorche! （Brigitta bestürzt ab. Inmitten des Zimmers stehend, die Augen schließend） Marie! Noch einmal saug ich deine Züge, In mich ein. Ich sehe dich… ich fühle dich… Jetzt, Gott, jetzt gib sie mir zurück! Fünfte Szene （Die Türe öffnet sich, Marietta Schläg den Schleier zurück und tritt in heiterer Unbefangenheit, lächelnd, mit dem Anstand und der Würde der sich ihrer Schönheit bewußten Frau und mit der Grazie der Tänzerin herein. Sie fällt in der Folge öfters aus damenhafter Haltung in das freie Gehaben der Kulissenwelt. Naiv-verderbtes, eitles, schlüchsiges, aber immer liebenswürdiges Wesen; wiederholt bricht ein leidenschaftliches erotisches Temperament hervor. Paul wendet sich um, öffnet die Augen） ▼PAUL▲ （von der Ähnlichkeit ergriffen, unwillkürlich） Wunderbar! （bleibt unbeweglich und starrt sie wie eine Erscheinung an） ▼MARIETTA▲ （leicht） Ja, wunderbar, ich staune selbst, Weiß selbst, kaum, was mich hergelockt. Gar dringlich wußten Sie zu bitten, Und jetzt kein Wort des Danks, kein Gruß? （reicht ihm Hut und Schleier und wirft sich in ein Fauteuil, umherblickend） Recht schön bei Ihnen, Sie sind Wohl reich? （ergreift einen Rosenstrauß und riecht daran） Und Rosen! Sie glühen rotem Feuer gleich! （Paul hat Hut und Schirm, ohne das Auge abzuwenden, in Empfang genommen） Noch immer steif und stumm? Wie das nach Brügge paßt! In dieses tote Nest mit seiner düstern Starre! Auch hier ists dumpf wie in einer Gruft! Uff, ich ersticke. （aufspringend） Doch mich kriegt ihr nicht unter! Ich bin vergnügt, und liebe daß Vergnügen, Lieb tolle Freuden, lieb die Sonne! ▼PAUL▲ （auf ihr Haar weisend） Die Sonne lacht in diesem Haar… ▼MARIETTA▲ （Marietta hat sich mit geschmeidiger Beweglichkeit im Zimmer herumgedreht, ihr Blick fällt flüchtig auf die rings aufgestellten Bilder- und Photographierahmen.） Und hier bescheint sie Bilder schöner Damen. （mit dem Finger drohend） Die Galerie der Fraun, die Sie geliebt? ▼PAUL▲ （wie für sich） Der Stimme Silberglanz, Der Schultern melodisch Neigen. ▼MARIETTA▲ Den Mantel fort. （legt den Mantel ab） Bin ich nicht schön? （stellt sich vor ihn hin, kokett） Schöner als die? ▼PAUL▲ All das war schön, Sie sinds! （für sich） Bei Gott, ihr Kleid, Die gleiche Farbe, fast der gleichebSchnitt. （von einem Gedanken erfaßt, wie in unwiderstehlicher Sehnsucht） Zu diesem Kleide paßt ein alter Shawl, Der hier verwahrt ist. Darf ich ihn um die schönen Schultern hängen? ▼MARIETTA▲ （übermütig） Sie wollen mich noch schöner? Gut! （Paul hat aus dem Schrank, der offen bleibt, einen Shawl geholt und legt ihn ihr zart um.） Wie weich die alte Seide! Sie macht so wohlig schauern, Zum Spiegel, rasch! Zum Spiegel! （beschaut sich im Spiegel） ▼PAUL▲ （unwillkürlich, wenn Marietta, die einen Moment durch den Spiegel gedeckt war, wieder sichtbar wird） Marie! ▼MARIETTA▲ Marie? Ich heiße Marietta. （kleine Pause） Was haben Sie? ▼PAUL▲ Nichts, nichts… Verzeihn Sie… ich bitte, verzeihn Sie… （nimmt die Laute von der Wand. Mit zarter Bitte） Und, nehmen Sie noch das. ▼MARIETTA▲ Die Alte Laute? Sie sind wohl Maler, brauchen ein Modell? （nimmt lächelnd und achselzuckend, wie um auch diesen Gefallen zu tun, die Laute; dann einer plötzlichen Laune folgend） Nun, zu der alten Laute Gehört ein altes Lied. ▼PAUL▲ （überrascht） Wie, Sie singen? ▼MARIETTA▲ Erträglich, sagt man, Wenns auch mein Fach nicht ist. Und Trauriges am liebsten Wohl weil ich sonst so übermütig bin. Soll ich? ▼PAUL▲ Ja, bitte. ▼MARIETTA▲ Nun, hören Sie. （singt） Gluck, das mir verblieb, Rück zu mir, mein treues Lieb. Abend sinkt im Haag Bist mir Licht und Tag. Bange pochet Herz an Herz. Hoffnung schwingt sich himmelwärts. ▼PAUL▲ （wie verloren） Wie wahr, ein traurig Lied. ▼MARIETTA▲ Das Lied vom treuen Lieb, Das sterben muß. （wird aufmerksam） Was haben Sie? ▼PAUL▲ Ich kenne das Lied. Ich hört es oft in jungen, In Schöneren Tagen… Es hat noch eine Strophe, Weiß ich sie noch? （er setzt mechanisch fort. Sie spielt die Laute und fällt ein. Die Strahlen der untergehenden Sonne überfluten beide.） Naht auch Sorge trüb, Rück zu mir, mein treues Lieb. Neig dein blaß Gesicht, Sterben trennt uns nicht. Mußt du einmal von mir gehn, Glaub, es gibt ein Auferstehn. （läßt erschüttert das Haupt auf die Brust sinken. Marietta blickt ihn erst befremdet, dann spöttisch an. Pause.） ▼MARIETTA▲ Das dumme Lied, Es hat Sie ganz verzaubert. （Von der Straße lustiges Trällern. Gaston, Lucienne und Juliette flanieren draußen vor dem Fenster vorbei, eventuell im Marschtakt mit Spazierstock und Schirmen aufs Pflaster schlagend.） ▼GASTON▲ （draußen） Was soll es, daß du säumig bist! Hab dich ja heut noch nicht geküßt. （Lucienne und Juliette fallen bei der letzten Zeile ein） Diridi, diridon, schön Marion. ▼MARIETTA▲ Ah, horch, Da singt man andre Liedchen, Singt aus anderm Ton, nicht sentimental. Gaston ist's, wie er drollig singt! ▼GASTON▲ （draußen） Nicht gilt der schönste Tag mir gelebt, Wenn im Arme du mir nicht gebebt, Mir im Arm nicht gebebt. ▼GASTON, JULIETTE, LUCIENNE▲ （draußen） Diridi, diridon, schön Marion. ▼MARIETTA▲ （Eilt zum Fenster und will hinauswinken） Bravo! Bravo! ▼PAUL▲ （hält sie zurück） Die Leute, Brügge, Man darf Sie hier nicht sehn. ▼MARIETTA▲ Er geht mit Juliette et Lucienne, Schlingt Arm in Arm, （plötzlich vergnügt, mit Beziehung und Genugtuung） Un denkt an Marion! Die Freunde sinds, Die vor der Probe bummeln. Auch ich muß ins Theater. ▼PAUL▲ （blickt sie verständnislos an） Sie. ▼MARIETTA▲ Nun ja, wir spielen hier. Bin Tänzerin. ▼PAUL▲ Sie, Tänzerin? ▼MARIETTA▲ Gewiß, mein werter Griesgram! Ich komm aus Lille und tanz in Brügge! Erstaunt Sie das? （Tanz und Wort auf der Laute） O Tanz, o Rausch! Lust quillt aus mir, Braust in mir, Jagt den Puls Und dehnt die Nüstern. Der Wink der Hand, Des Fußes Scham Verbergen den Wunsch Und verraten ihn lüstern. Ein Dämon erhitzt mich, Beherrscht misch, besitzt mich. Toll und toller schwillt der Reigen, Faßt mich Taumel im Beugen und Neigen! Heiß kreist das Blut mir, Erglühn die Triebe. O Tanz, o Rausch! Ich tanz die letzte Glut, Ich tanz den letzten Kuß der Liebe! （innehaltend, wie zu sich kommend, leicht, noch in der letzten Pose verharrend） Und jetzt, mein Herr, Tanz ich in die Probe. ▼PAUL▲ （Paul, erst befremdet und abgestohen durch das bacchan-tische Gehaben Mariettas, das ihm Laute und Kleidungs-stück der Toten zu entweihen scheint, dann immer mehr der Verführung erliegend, seiner nicht mächtig, ein Opfer der Sinne.） Nein, Marietta! Geh nicht von mir, Gib Dauer dieser Stunde Traum! Vom Himmel bist du mir geschenkt! Erloschnes Glück flammt auf Und reißt mich dir entgegen! Marietta! Marietta! （breitet die Arme nach ihr aus） ▼MARIETTA▲ Wie stürmisch! Macht der Tanz Dem düstern Herrn so heiß? （wieder Tanzbewegungen） O Tanz, o Rausch! （Paul will auf sie zu, um sie zu umfassen. Marietta im Tanze ausweichend, verfängt sich im Bildervorhang, so daß er sich zur Seite bewegt und das Bild sichtbar wird. Erblickt verdutzt das Bild.） Oho, das bin ja ich! Der selbe Shawl! Wen spiel ich da? ▼PAUL▲ （stürzt vor das Bild und deckt es mit einer unwillkürlichen Bewegung des gegen Marietta abwehrend ausgestreckten Armes） O lassen Sie, 's ist eine Tote. （den Kopf sinken lassend, dumpf vor sich hin） Sie mahnt… ▼GASTON▲ （hinter der Szene） Diridi, diridon, schön Marion! （Marietta Shawl langsam vom Halse und wirft ihn nebst der Laute mit einer zornigen Geste auf den Tisch. Dann, da sie Paul in seiner Versunkenheit verharren sieht, lacht sie laut auf） ▼MARIETTA▲ Ah, Gaston. ▼PAUL▲ Sie müssen in die Probe, Marietta… ▼MARIETTA▲ Ah, Er ist gut, Er schickt mich fort! Ja, ich muß in die Probe, werter Herr… ▼GASTON▲ （hinter der Szene） Diridi, diridon, schön Marion. Was soll es, das du säumig bist? Hab dich ja heut noch nicht geküßt. ▼MARIETTA▲ … Tanz die Hélène in "Robert le Diable" （nimmt den Mantel, setzt den Hut auf） Mein Zauber, rasch scheint er verflogen, Ein anderer wirkt stärker… Nun, mir recht, 's ist höchste Zeit, muß fort. （werbend, nicht ohne Anmut） Die mich lieben, wissen mich zu finden. Es gibt ein Wiedersehen im Theater. （ab） ▼PAUL▲ O Traum der Wiederkehr, entweiche nicht! In dir, die kam, kam meine Tote, Kam Marie… （von Begehren erfaßt, außer sich） Marietta! （beschwörend die Arme） Marietta! Sechste Szene （Plötzliche Verdunkelung. Nur Paul und der Porträtrahmen links bleiben beleuchtet. Aus dem Rahmen tritt die Gestalt Mariens im Kleide des Bildes mit Shawl und Laute und schwebt - Erscheinung seines Gewissens und seiner Nerven - auf Paul zu, der sich, durch die Vision gebannt, starren Blickes erhebt, ohne den Platz zu verlassen） ▼MARIE▲ Paul… Paul… ▼PAUL▲ Da bist du ja, Marie, ich wußte es. ▼MARIE▲ Bist du gewiß, Hältst du mir noch die Treu? ▼PAUL▲ Ich halt sie dir. Nie schwandest du aus diesem Raum. ▼MARIE▲ Drum nahm ich auch nicht mein Haar mit, Als ich fort mußt, Ließ dir den goldnen Schatz, Den du so geliebt. ▼PAUL▲ Ich weiß, ich weiß… ▼MARIE▲ Mein Haar stirbt nicht, Es wacht in deinem Haus. Unsre Liebe war, ist und wird sein. ▼PAUL▲ Du bist bei mir, bists immer, ewig. Bist es in dieser toten Stadt, Du tönst in ihren Glocken, Steigst aus ihren Wassern… ▼MARIE▲ Und doch wirst du vergessen, Was neben dir nicht lebt und atmet. ▼PAUL▲ （angstvoll） Die andre, die Andere, Nur dich seh ich in ihr. ▼MARIE▲ Da ich dir sichtbar, liebst du mich. ▼PAUL▲ Ich lieb nur dich. Sag, daß du mir vergibst. ▼MARIE▲ Du liebst mich doch… Unsre Liebe war, ist und wird sein. ▼PAUL▲ （elastisch, wie von einer furchtbaren Last befreit） Unsre Liebe war, ist und wird sein… （Marie beginnt dem dunklen Hintergrunde zuzuschreiten, in Nebelschleier hinein.） Ewig Geliebte, warum seh ich dich nicht mehr? Warum ist mirs, als könnt, ich's nicht mehr? ▼MARIE▲ （aus den Nebelschleiern） Gehe ins Lebe, dich lockt die andre, Schau, schau und erkenne… （Verschwindet ganz. Paul sinkt auf einen Stuhl zurück, visionär die Arme erhoben. Seine erregte Phantasie spiegelt ihm eine neue Erscheinung vor. Der Hinter grund erhellt sich; man sieht plötzlich an Stelle Mariens Marietta auf dem Theater in wallendem Phantasietanzkostüm, prächtig geschmückt, verführerisch lockend tanzen. Dazu orgiastische Tanzrhythmen.） ▼PAUL▲ Marietta! ERSTES BILD Bei Paul. Ein kleines Gemach von geringer Tiefe mit alten schweren Möbeln. Der düstere Eindruck langer Unbenütztheit und Unbewohntheit liegt darüber. Die rückwärtige Wand bildet zwei vorspringende Ecken; den Raum zwischen diesen Ecken nehmen drei bis vier zur allgemeinen Auftrittstüre führende Stufen ein, deren oberste so breit ist, daß sie eine Art Podium darstellt. Links (vom Zuschauer) ein in die Wand eingebauter Schrank mit Spiegel. Gestelle mit alten Nippes und Photographien in Rahmen. Auf einem Tischchen eine Glastruhe mit abhebbarem Deckel, in der Art der Glasstürze alter Uhren, darin eine Haarflechte. Links die Türe, die in Mariens Zimme führend zu denken ist. Die linke vorspringende Wand nimmt ein blumenbekränztes, lebensgroßes auf den Boden reichendes Portrait Mariens mit Shawl und Laute ein; davor ein Vorhang (in einer Messingstange, die nur an einem Ende befestigt ist, so daß sie mit dem Vorhang leicht nach vorne zu drehen ist und das Bild sichtbar wird. Blumen auch an Türe und den übrigen Photographierahmen. Breites Fenster rechts nach der Straße mit alten Spitzengardinen. In dessen Nähe ein Fauteuil. In der Ecke (im Vordergrund) Tisch mit Sofagarnitur. Eine Laute an der Wand - Sonniger Spätherbstnachmittag Erste Szene BRIGITTA schliesst von außen auf und läßt Frank eintreten Behutsam! Hier ist alles alt Und gespenstig. Sie zieht die Gardine hoch. Die Sonne dringt in einem breiten Strahl ins Zimmer Bis gestern drang keiner In diese Stube außer ihm und mir Die Jahre durch, die er in Brügge lebt. FRANK Und gestern? BRIGITTA Sie sind sein Freund, Her Frank, So seis gesagt. Gestern schien er ganz gewandelt. Er bebte vor Erregung, schluchzt' und lachte. "Türen auf!" so sagte er, "Licht in meinen Tempel! Die Toten stehen auf! FRANK Dies hab' ich nie von ihm gehört. Sonderbar! BRIGITTA Seht, Rosen und Levkojen an den Rahmen zeigt auf die Türe links Und an der Türe zu ihrem Zimmer, In dem sie starb. weist auf das verhängte Bild und dreht den Vorhang zur Seite Besonders aber dies Bild hat er schön Geschmückt. FRANK Ist sie das? Marie? BRIGITTA Ja, das war sie. In dem hellen, weichen Kleide Das er so liebte. FRANK betrachtet das Bildnis Schön! Herrgott! Wie leuchtet dies Haar! BRIGITTA zeigt auf die Kristalltruhe Da drunter liegt ein Strähn von diesem Haar. Flüssige Dukaten, nicht wahr? FRANK Er hat es aufbewahrt? Seltsam. BRIGITTA Und hier mit einer Bewegung über den ganzen Raum hin Kein Fleck, der nicht von seiner Toten spräche. Er nennt's Kirche des Gewesenen. Sie hat Frank langsam umhergeführt, der sinnend all die Bilder, Andenken und Reliquien betrachtet. FRANK So lebt er stets? BRIGITTA Bis gestern immer so. Er sagte "Brügge und ich, wir sind eins. Wir beten Schönstes an Vergangenheit." FRANK Und du, Brigitt? Erträgst Du das? Du, eine Frau? Lockts dich ins Leben nicht hinaus? BRIGITTA Was das Leben ist, weiß ich nicht, Herr Frank, Denn ich bin allein. Hier aber, hier ist Liebe, Herr Frank, das weiß ich. Und wo Liebe, Dort dient eine arme Frau zufrieden. es schellt draußen Da ist er! Zweite Szene Paul tritt ein, nervös von einem Erlebnis erregt PAUL Frank! Freund! FRANK lächelnd Brigitta führte mich in die "Kirche des Gewesenen." PAUL lebhaft Des Gewesenen? Nein! zu Brigitta Lauf schnell hinab zum Gärtner, Hol' Rosen. Zwei Arme voll! Es soll erglühn hier von roten Rosen. er hat Brigitta hinausgedrängt. Zu Frank Du sahst ihr Bild? FRANK Ja, sie war schön, Und viel hast du verloren. PAUL in das Bild versunken Marie, Marie, dein Atem, deine Augen! zu Frank Wie sagst du? Sie war schön? FRANK Gewiß. PAUL Sie war schön, sagst du? Sie ist schön! Sie ist! Sie ist! FRANK blickt ihn forschend an In deiner Phantasie? PAUL Nein, nein, sie lebt! Bald ist sie hier, sie kehrt zurück. O hör ein Märchen, ein Wunder! Du Weißt, das ich in Brügge blieb, um allein zu sein mit meiner Toten. Die tote Frau, die tote Stadt, flossen zu geheimnisvollem Gleichnis. Und täglich schritt ich gleichen Weg, mit ihrem Schatten Arm in Arm, zum Minnewasser, auf die Fläche starrend, ihr teures Bild mit Tränen mir ersehnend, den süßen, sanft in sich gekehrten Blick, den Schimmer ihres goldnen Haars. Und gestern wieder träumt ich am Gitter von der Entschwundenen, von ihr, Marie. Holt mir ihr Antlitz aus der Tiefe, hold und rein, so ganz war sie mir nah, wie einst in den Tagen des Glücks - sehnend, liebend. In meines Schauns Versunkenheit schallen Schritte. Ich horche… ein Schatten gleitet übers Wasser Ich blicke auf; vor mir steht eine Frau im Sonnenlicht. Frank! Frank! Eine Frau. Im Mittagsglast erglänzt Mariens Gold Haar, den Lippen entschwebt Mariens Lächeln. Nicht Ähnlichkeit mehr - nein, ein Wunder, Begnadigung! Es schien sie selbst, sie mein Weib! Ja, mein lebend, mein atmend Weib! Ein Fieber faßte mich nach altem Glück. "Gott", schrie ich, "wenn du mir gnädig bist, gib sie mir zurück!" Und heute Mittag sprach ich sie, bebenden Herzens, zweifelswund und der Wunder größtes Mariens Stimme klang aus ihrem Mund! FRANK Im öden Brügge eine Unbekannte? PAUL Ich weiß nicht, wer sie ist, Lud sie zu mir in meine Einsamkeit. Und sie Kommt, und in ihr kommt Meine Tote, kommt Marie. FRANK ernst Hör, Paul, du wagst gefährlich Spiel. Du bist ein Träumer, Bist ein Geisterseher. Ich seh die Dinge, seh die Frauen So wie sie sind. Willst du zum Herrn dich über Tod und Lebe Schwingen? Ein lebend Sein zur Puppe Des Verstorbenen zwingen? Bescheide dich! Zu lang warst du allein, Dein Blut murrt gegen diese Trauer. Seis drum, umarm eine schöne Frau, Doch Tote laß mir schlafen. PAUL wie einer der nicht zugehört hat, ekstatisch Ich will den Traum der Wiederkehr vertiefen, Will sie durch diese Türe schreiten, Den Raum durchleuchten sehn, In dem ihr holder Duft noch schwebt, Der Rhythmus ihres süßen Wesens webt. In ihr die kommt, kommt Marie, Kommt meine Tote. FRANK Du schwärmst für ein Phantom! Zu rechter Zeit Hat diese Reise mich zu dir geführt. Mein Freund, dein tief Gefühl Hat dich verwirrt. Dein tief Gefühl muß dich auch heilen. Ich geh, doch bald kehr ich zurück. Das Trugbild weicht, Der Nebel wird sich teilen. schüttelt Paul mit freundschaftlicher Gebärde die Hand, ihm herzlich ins Auge blickend. Paul begleitet ihn zur Türe. Dritte Szene PAUL zum Bilde zurückgehkehrt Nur deiner harr ich, niemals Verlorne! Wer kann ihn denn verstehen, Unsrer Seelen tief geheimnisvollen Bund? dreht den Vorhang wieder zurück. Sein Blick fällt auf die Haarreliquie; er hebt inbrünstig den Glasschrein hoch, der in voller Sonne funkelt. Du Überlebendes von ihrer Schönheit, So wirst du wieder hold erstehn? So werd ich wieder Schimmernd auf weißer Stirn Das Goldgelocke leuchten sehn? Vierte Szene Brigitta tritt ein, auf beiden Armen Blumen PAUL stellt rasch den Schrein nieder Rosen, so ists recht! er nimmt ihr die Blumen ab, füllt die Vasen, läuft hin und her BRIGITTA zögernd Gnädger Herr, verschleiert, eine Dame. PAUL fast schreiend Und du sagst es nicht? Führ sie herein. BRIGITTA wie protestierend Herr Paul, bedenken Sie, die Welt… PAUL Wenn du mich liebst, schweig und gehorche! Brigitta bestürzt ab. Inmitten des Zimmers stehend, die Augen schließend Marie! Noch einmal saug ich deine Züge, In mich ein. Ich sehe dich… ich fühle dich… Jetzt, Gott, jetzt gib sie mir zurück! Fünfte Szene Die Türe öffnet sich, Marietta Schläg den Schleier zurück und tritt in heiterer Unbefangenheit, lächelnd, mit dem Anstand und der Würde der sich ihrer Schönheit bewußten Frau und mit der Grazie der Tänzerin herein. Sie fällt in der Folge öfters aus damenhafter Haltung in das freie Gehaben der Kulissenwelt. Naiv-verderbtes, eitles, schlüchsiges, aber immer liebenswürdiges Wesen; wiederholt bricht ein leidenschaftliches erotisches Temperament hervor. Paul wendet sich um, öffnet die Augen PAUL von der Ähnlichkeit ergriffen, unwillkürlich Wunderbar! bleibt unbeweglich und starrt sie wie eine Erscheinung an MARIETTA leicht Ja, wunderbar, ich staune selbst, Weiß selbst, kaum, was mich hergelockt. Gar dringlich wußten Sie zu bitten, Und jetzt kein Wort des Danks, kein Gruß? reicht ihm Hut und Schleier und wirft sich in ein Fauteuil, umherblickend Recht schön bei Ihnen, Sie sind Wohl reich? ergreift einen Rosenstrauß und riecht daran Und Rosen! Sie glühen rotem Feuer gleich! Paul hat Hut und Schirm, ohne das Auge abzuwenden, in Empfang genommen Noch immer steif und stumm? Wie das nach Brügge paßt! In dieses tote Nest mit seiner düstern Starre! Auch hier ists dumpf wie in einer Gruft! Uff, ich ersticke. aufspringend Doch mich kriegt ihr nicht unter! Ich bin vergnügt, und liebe daß Vergnügen, Lieb tolle Freuden, lieb die Sonne! PAUL auf ihr Haar weisend Die Sonne lacht in diesem Haar… MARIETTA Marietta hat sich mit geschmeidiger Beweglichkeit im Zimmer herumgedreht, ihr Blick fällt flüchtig auf die rings aufgestellten Bilder- und Photographierahmen. Und hier bescheint sie Bilder schöner Damen. mit dem Finger drohend Die Galerie der Fraun, die Sie geliebt? PAUL wie für sich Der Stimme Silberglanz, Der Schultern melodisch Neigen. MARIETTA Den Mantel fort. legt den Mantel ab Bin ich nicht schön? stellt sich vor ihn hin, kokett Schöner als die? PAUL All das war schön, Sie sinds! für sich Bei Gott, ihr Kleid, Die gleiche Farbe, fast der gleichebSchnitt. von einem Gedanken erfaßt, wie in unwiderstehlicher Sehnsucht Zu diesem Kleide paßt ein alter Shawl, Der hier verwahrt ist. Darf ich ihn um die schönen Schultern hängen? MARIETTA übermütig Sie wollen mich noch schöner? Gut! Paul hat aus dem Schrank, der offen bleibt, einen Shawl geholt und legt ihn ihr zart um. Wie weich die alte Seide! Sie macht so wohlig schauern, Zum Spiegel, rasch! Zum Spiegel! beschaut sich im Spiegel PAUL unwillkürlich, wenn Marietta, die einen Moment durch den Spiegel gedeckt war, wieder sichtbar wird Marie! MARIETTA Marie? Ich heiße Marietta. kleine Pause Was haben Sie? PAUL Nichts, nichts… Verzeihn Sie… ich bitte, verzeihn Sie… nimmt die Laute von der Wand. Mit zarter Bitte Und, nehmen Sie noch das. MARIETTA Die Alte Laute? Sie sind wohl Maler, brauchen ein Modell? nimmt lächelnd und achselzuckend, wie um auch diesen Gefallen zu tun, die Laute; dann einer plötzlichen Laune folgend Nun, zu der alten Laute Gehört ein altes Lied. PAUL überrascht Wie, Sie singen? MARIETTA Erträglich, sagt man, Wenns auch mein Fach nicht ist. Und Trauriges am liebsten Wohl weil ich sonst so übermütig bin. Soll ich? PAUL Ja, bitte. MARIETTA Nun, hören Sie. singt Gluck, das mir verblieb, Rück zu mir, mein treues Lieb. Abend sinkt im Haag Bist mir Licht und Tag. Bange pochet Herz an Herz. Hoffnung schwingt sich himmelwärts. PAUL wie verloren Wie wahr, ein traurig Lied. MARIETTA Das Lied vom treuen Lieb, Das sterben muß. wird aufmerksam Was haben Sie? PAUL Ich kenne das Lied. Ich hört es oft in jungen, In Schöneren Tagen… Es hat noch eine Strophe, Weiß ich sie noch? er setzt mechanisch fort. Sie spielt die Laute und fällt ein. Die Strahlen der untergehenden Sonne überfluten beide. Naht auch Sorge trüb, Rück zu mir, mein treues Lieb. Neig dein blaß Gesicht, Sterben trennt uns nicht. Mußt du einmal von mir gehn, Glaub, es gibt ein Auferstehn. läßt erschüttert das Haupt auf die Brust sinken. Marietta blickt ihn erst befremdet, dann spöttisch an. Pause. MARIETTA Das dumme Lied, Es hat Sie ganz verzaubert. Von der Straße lustiges Trällern. Gaston, Lucienne und Juliette flanieren draußen vor dem Fenster vorbei, eventuell im Marschtakt mit Spazierstock und Schirmen aufs Pflaster schlagend. GASTON draußen Was soll es, daß du säumig bist! Hab dich ja heut noch nicht geküßt. Lucienne und Juliette fallen bei der letzten Zeile ein Diridi, diridon, schön Marion. MARIETTA Ah, horch, Da singt man andre Liedchen, Singt aus anderm Ton, nicht sentimental. Gaston ist's, wie er drollig singt! GASTON draußen Nicht gilt der schönste Tag mir gelebt, Wenn im Arme du mir nicht gebebt, Mir im Arm nicht gebebt. GASTON, JULIETTE, LUCIENNE draußen Diridi, diridon, schön Marion. MARIETTA Eilt zum Fenster und will hinauswinken Bravo! Bravo! PAUL hält sie zurück Die Leute, Brügge, Man darf Sie hier nicht sehn. MARIETTA Er geht mit Juliette et Lucienne, Schlingt Arm in Arm, plötzlich vergnügt, mit Beziehung und Genugtuung Un denkt an Marion! Die Freunde sinds, Die vor der Probe bummeln. Auch ich muß ins Theater. PAUL blickt sie verständnislos an Sie. MARIETTA Nun ja, wir spielen hier. Bin Tänzerin. PAUL Sie, Tänzerin? MARIETTA Gewiß, mein werter Griesgram! Ich komm aus Lille und tanz in Brügge! Erstaunt Sie das? Tanz und Wort auf der Laute O Tanz, o Rausch! Lust quillt aus mir, Braust in mir, Jagt den Puls Und dehnt die Nüstern. Der Wink der Hand, Des Fußes Scham Verbergen den Wunsch Und verraten ihn lüstern. Ein Dämon erhitzt mich, Beherrscht misch, besitzt mich. Toll und toller schwillt der Reigen, Faßt mich Taumel im Beugen und Neigen! Heiß kreist das Blut mir, Erglühn die Triebe. O Tanz, o Rausch! Ich tanz die letzte Glut, Ich tanz den letzten Kuß der Liebe! innehaltend, wie zu sich kommend, leicht, noch in der letzten Pose verharrend Und jetzt, mein Herr, Tanz ich in die Probe. PAUL Paul, erst befremdet und abgestohen durch das bacchan-tische Gehaben Mariettas, das ihm Laute und Kleidungs-stück der Toten zu entweihen scheint, dann immer mehr der Verführung erliegend, seiner nicht mächtig, ein Opfer der Sinne. Nein, Marietta! Geh nicht von mir, Gib Dauer dieser Stunde Traum! Vom Himmel bist du mir geschenkt! Erloschnes Glück flammt auf Und reißt mich dir entgegen! Marietta! Marietta! breitet die Arme nach ihr aus MARIETTA Wie stürmisch! Macht der Tanz Dem düstern Herrn so heiß? wieder Tanzbewegungen O Tanz, o Rausch! Paul will auf sie zu, um sie zu umfassen. Marietta im Tanze ausweichend, verfängt sich im Bildervorhang, so daß er sich zur Seite bewegt und das Bild sichtbar wird. Erblickt verdutzt das Bild. Oho, das bin ja ich! Der selbe Shawl! Wen spiel ich da? PAUL stürzt vor das Bild und deckt es mit einer unwillkürlichen Bewegung des gegen Marietta abwehrend ausgestreckten Armes O lassen Sie, 's ist eine Tote. den Kopf sinken lassend, dumpf vor sich hin Sie mahnt… GASTON hinter der Szene Diridi, diridon, schön Marion! Marietta Shawl langsam vom Halse und wirft ihn nebst der Laute mit einer zornigen Geste auf den Tisch. Dann, da sie Paul in seiner Versunkenheit verharren sieht, lacht sie laut auf MARIETTA Ah, Gaston. PAUL Sie müssen in die Probe, Marietta… MARIETTA Ah, Er ist gut, Er schickt mich fort! Ja, ich muß in die Probe, werter Herr… GASTON hinter der Szene Diridi, diridon, schön Marion. Was soll es, das du säumig bist? Hab dich ja heut noch nicht geküßt. MARIETTA … Tanz die Hélène in "Robert le Diable" nimmt den Mantel, setzt den Hut auf Mein Zauber, rasch scheint er verflogen, Ein anderer wirkt stärker… Nun, mir recht, 's ist höchste Zeit, muß fort. werbend, nicht ohne Anmut Die mich lieben, wissen mich zu finden. Es gibt ein Wiedersehen im Theater. ab PAUL O Traum der Wiederkehr, entweiche nicht! In dir, die kam, kam meine Tote, Kam Marie… von Begehren erfaßt, außer sich Marietta! beschwörend die Arme Marietta! Sechste Szene Plötzliche Verdunkelung. Nur Paul und der Porträtrahmen links bleiben beleuchtet. Aus dem Rahmen tritt die Gestalt Mariens im Kleide des Bildes mit Shawl und Laute und schwebt - Erscheinung seines Gewissens und seiner Nerven - auf Paul zu, der sich, durch die Vision gebannt, starren Blickes erhebt, ohne den Platz zu verlassen MARIE Paul… Paul… PAUL Da bist du ja, Marie, ich wußte es. MARIE Bist du gewiß, Hältst du mir noch die Treu? PAUL Ich halt sie dir. Nie schwandest du aus diesem Raum. MARIE Drum nahm ich auch nicht mein Haar mit, Als ich fort mußt, Ließ dir den goldnen Schatz, Den du so geliebt. PAUL Ich weiß, ich weiß… MARIE Mein Haar stirbt nicht, Es wacht in deinem Haus. Unsre Liebe war, ist und wird sein. PAUL Du bist bei mir, bists immer, ewig. Bist es in dieser toten Stadt, Du tönst in ihren Glocken, Steigst aus ihren Wassern… MARIE Und doch wirst du vergessen, Was neben dir nicht lebt und atmet. PAUL angstvoll Die andre, die Andere, Nur dich seh ich in ihr. MARIE Da ich dir sichtbar, liebst du mich. PAUL Ich lieb nur dich. Sag, daß du mir vergibst. MARIE Du liebst mich doch… Unsre Liebe war, ist und wird sein. PAUL elastisch, wie von einer furchtbaren Last befreit Unsre Liebe war, ist und wird sein… Marie beginnt dem dunklen Hintergrunde zuzuschreiten, in Nebelschleier hinein. Ewig Geliebte, warum seh ich dich nicht mehr? Warum ist mirs, als könnt, ich's nicht mehr? MARIE aus den Nebelschleiern Gehe ins Lebe, dich lockt die andre, Schau, schau und erkenne… Verschwindet ganz. Paul sinkt auf einen Stuhl zurück, visionär die Arme erhoben. Seine erregte Phantasie spiegelt ihm eine neue Erscheinung vor. Der Hinter grund erhellt sich; man sieht plötzlich an Stelle Mariens Marietta auf dem Theater in wallendem Phantasietanzkostüm, prächtig geschmückt, verführerisch lockend tanzen. Dazu orgiastische Tanzrhythmen. PAUL Marietta! Korngold,Erich Wolfgang/Die tote Stadt/II
https://w.atwiki.jp/oper/pages/1330.html
The blessed damozel leaned out From the gold bar of Heaven; Her eyes were deeper than the depth Of waters stilled at even; She had three lilies in her hand, And the stars in her hair were seven. Her robe, ungirt from clasp to hem, No wrought flowers did adorn, But a white rose of Mary s gift, For service meetly worn; Her hair that lay along her back Was yellow like ripe corn. Herseemed she scarce had been a day One of God s choristers; The wonder was not yet quite gone From that still look of hers; Albeit, to them she left, her day Had counted as ten years. (To one, it is ten years of years. . . . Yet now, and in this place, Surely she leaned o er me — her hair Fell all about my face. . . . Nothing the autumn-fall of leaves. The whole year sets apace.) It was the rampart of God s house That she was standing on; By God built over the sheer depth The which is Space begun; So high, that looking downward thence She scarce could see the sun. It lies in Heaven, across the flood Of ether, as a bridge. Beneath, the tides of day and night With flame and darkness ridge The void, as low as where this earth Spins like a fretful midge. Around her, lovers, newly met Mid deathless love s acclaims, Spoke evermore among themselves Their heart-remembered names; And the souls mounting up to God Went by her like thin flames. And still she bowed herself and stooped Out of the circling charm; Until her bosom must have made The bar she leaned on warm, And the lilies lay as if asleep Along her bended arm. From the fixed place of Heaven she saw Time like a pulse shake fierce Through all the worlds. Her gaze still strove Within the gulf to pierce Its path; and now she spoke as when The stars sang in their spheres. The sun was gone now; the curled moon Was like a little feather Fluttering far down the gulf; and now She spoke through the still weather. Her voice was like the voice of the stars Had when they sang together. (Ah sweet! Even now, in that bird s song, Strove not her accents there, Fain to be hearkened? When those bells Possessed the mid-day air, Strove not her steps to reach my side Down all the echoing stair?) I wish that he were come to me, For he will come, she said. Have I not preyed in Heaven? -- on earth, Lord, Lord, has he not pray d? Are not two prayers a perfect strength? And shall I feel afraid? When round his head the aureole clings, And he is clothed in white, I ll take his hand and go with him To the deep wells of light; As unto a stream we will step down, And bathe there in God s sight. We two will stand beside that shrine, Occult, withheld, untrod, Whose lamps are stirred continually With prayer sent up to God; And see our old prayers, granted, melt Each like a little cloud. We two will lie i the shadow of That living mystic tree Within whose secret growth the Dove Is sometimes felt to be, While every leaf that His plumes touch Saith His Name audibly. And I myself will teach to him, I myself, lying so, The songs I sing here; which his voice Shall pause in, hushed and slow, And find some knowledge at each pause, Or some new thing to know. (Alas! We two, we two, thou say st! Yea, one wast thou with me That once of old. But shall God lift To endless unity The soul whose likeness with thy soul Was but its love for thee?) We two, she said, will seek the groves Where the lady Mary is, With her five handmaidens, whose names Are five sweet symphonies, Cecily, Gertrude, Magdalen, Margaret and Rosalys. Circlewise sit they, with bound locks And foreheads garlanded; Into the fine cloth white like flame Weaving the golden thread, To fashion the birth-robes for them Who are just born, being dead. He shall fear, haply, and be dumb Then will I lay my cheek To his, and tell about our love, Not once abashed or weak And the dear Mother will approve My pride, and let me speak. Herself shall bring us, hand in hand, To him round whom all souls Kneel, the clear-ranged unnumbered heads Bowed with their aureoles And angels meeting us shall sing To their citherns and citoles. There will I ask of Christ the Lord Thus much for him and me — Only to live as once on earth With Love, — only to be, As then awhile, for ever now Together, I and he. She gazed and listened and then said, Less sad of speech than mild, — All this is when he comes. She ceased. The light thrilled towards her, fill d With angels in strong level flight. Her eyes prayed, and she smil d. (I saw her smile.) But soon their path Was vague in distant spheres And then she cast her arms along The golden barriers, And laid her face between her hands, And wept. (I heard her tears.) (Dante Gabriel Rossetti) La damoiselle élue s appuyait Sur la barrière d or du Ciel, Ses yeux étaient plus profonds que l abîme Des eaux calmes au soir. Elle avait trois lys à la main Et sept étoiles dans les cheveux. Sa robe flottante N était point ornée de fleurs brodées, Mais d une rose blanche, présent de Marie, Pour le divin service justement portée ; Ses cheveux qui tombaient le long de ses épaules Étaient jaunes comme le blé mûr. Autour d elle des amants Nouvellement réunis, Répétaient pour toujours, entre eux, leurs nouveaux noms d extase ; Et les âmes, qui montaient à Dieu, Passaient près d elle comme de fines flammes. Alors, elle s inclina de nouveau et se pencha En dehors du charme encerclant, Jusqu à ce que son sein eut échauffé La barrière sur laquelle elle s appuyait, Et que les lys gisent comme endormis Le long de son bras courbé. Le soleil avait disparu, la lune annelée Était comme une petite plume Flottant au loin dans l espace ; et voilà Qu elle parla à travers l air calme, Sa voix était pareille à celle des étoiles Lorsqu elles chantent en chœur. Je voudrais qu il fût déjà près de moi, Car il viendra. N ai-je pas prié dans le ciel ? Sur terre, Seigneur, Seigneur, n a-t-il pas prié, Deux prières ne sont-elles pas une force parfaite? Et pourquoi m effraierais-je ? Lorsqu autour de sa tête s attachera l auréole, Et qu il aura revêtu sa robe blanche, Je le prendrai par la main et j irai avec lui Aux sources de lumière, Nous y entrerons comme dans un courant, Et nous nous y baignerons à la face de Dieu. Nous nous reposerons tous deux à l ombre De ce vivant et mystique arbre, Dans le feuillage secret duquel on sent parfois La présence de la colombe, Pendant que chaque feuille, touchée par ses plumes, Dit son nom distinctement. Tous deux nous chercherons les bosquets Où trône Dame Marie Avec ses cinq servantes, dont les noms Sont cinq douces symphonies Cécile, Blanchelys, Madeleine, Marguerite et Roselys. Il craindra peut-être, et restera muet, Alors, je poserai ma joue Contre la sienne ; et lui parlerai de notre amour, Sans confusion ni faiblesse, Et la chère Mère approuvera Mon orgueil, et me laissera parler. Elle-même nous amènera la main dans la main À Celui autour duquel toutes les âmes S agenouillent, les innombrables têtes clair rangées Inclinées, avec leurs auréoles. Et les anges venus à notre rencontre chanteront, S accompagnant de leurs guitares et de leurs citoles. Alors, je demanderai au Christ Notre Seigneur, Cette grande faveur, pour lui et moi, Seulement de vivre comme autrefois sur terre Dans l amour, et d être pour toujours, Comme alors pour un temps, Ensemble, moi et lui. Elle regarda, prêta l oreille et dit, D une voix moins triste que douce Tout ceci sera quand il viendra. Elle se tut. La lumière tressaillit de son côte, remplie D un fort vol d anges horizontal. Ses yeux prièrent, elle sourit ; Mais bientôt leur sentier Devint vague dans les sphères distantes. Alors, elle jeta ses bras le long Des barrières d or. Et posant son visage entre ses mains, Pleura. Ah, ah. (traduit par Gabriel Sarrazin) Debussy,Claude/La damoiselle élue
https://w.atwiki.jp/touhoukashi/pages/955.html
【登録タグ F SYNC.ART'S White Magic 坂上なち 幽雅に咲かせ、墨染の桜 ～ Border of Life 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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Optimal Relay and Saturating Control System Synthesis (IEE Control Engineering Series) Institution of Engineering and Technology? E.P. Ryan? InstitutionofEngineeringandTechnology? E.P.Ryan? ジャンル別? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Self-tuning and Adaptive Control Institution of Engineering and Technology? C.J. Harris? S.A. Billings? InstitutionofEngineeringandTechnology? C.J.Harris? S.A.Billings? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? 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Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Introduction to Finite Element Computations Pineridge Press Ltd? E. Hinton? D.R.J. Owen? PineridgePressLtd? E.Hinton? D.R.J.Owen? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Creep and Fracture of Engineering Materials and Structures Pineridge Press Ltd? B. Wilshire? D.R.J. Owen? PineridgePressLtd? B.Wilshire? D.R.J.Owen? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Engineering Approach to High Temperature Design (Recent Advances in Creep Fracture of Engineering Materialsand Structures) Pineridge Press Ltd? B. Wilshire? D.R.J. Owen? PineridgePressLtd? B.Wilshire? D.R.J.Owen? ジャンル別? Substores-UnknownASINs-30? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures? 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Subjects-Professional&Technical-Engineering-General Ashrae Thermodynamic Properties of Refrigerants Amer Society of Heating? Richard B. Stewart? Richard T. Jacobsen? Steven G. Penoncello? Refrigerating and Air-Conditioning Engineers American Society of Heating? AmerSocietyofHeating? RichardB.Stewart? RichardT.Jacobsen? StevenG.Penoncello? RefrigeratingandAir-ConditioningEngineersAmericanSocietyofHeating? ジャンル別? Substores-UnknownASINs-30? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Applied? 1990 Ashrae Handbook Refrigeration Systems and Applications/Inch-Pound (Ashrae Handbook Refrigeration Systems/Applications Inch-Pound System) Amer Society of Heating? AmerSocietyofHeating? ジャンル別? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? 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The Big Mistake Winston-Derek Pub? Elizabeth L. Clarke? Douglas Gillam? Winston-DerekPub? ElizabethL.Clarke? DouglasGillam? Substores-UnknownASINs-35 Subjects-Children sBooks-Ages4-8-General? Black Biblical Heritage Study Winston-Derek Pub? John L. Johnson? Winston-DerekPub? JohnL.Johnson? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Bible-StudyGuides,History&Reference-Reference-General? American Silver Flatware, 1837-1910 Alan Wofsy Fine Arts? Noel D. Turner? AlanWofsyFineArts? NoelD.Turner? Substores-UnknownASINs-35 Subjects-Arts&Photography? Camille Pissarro Loeuvre Grave Et Lithographie/the Etchings and Lithographs Catalogue Raisonne Alan Wofsy Fine Arts? Loys Delteil? Jean Cailac? Camille Pissarro? Alan Hyman? Ludovic R. Pissarro? AlanWofsyFineArts? LoysDelteil? JeanCailac? CamillePissarro? AlanHyman? LudovicR.Pissarro? Substores-UnknownASINs-35 Subjects-Arts&Photography? Subjects-Reference-Catalogs&Directories-Catalogs? 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SantillanaUSAPubCoInc? undefined undefined My First Five Years/Wrapped in Blanket A Record of Early Childhood Cedco Pub? Anne Geddes? CedcoPub? AnneGeddes? Substores-UnknownASINs-35 Formats-Accessories? The Keys to Solomon's Wealth Winston-Derek Pub? Gerrold Kimbrough? Winston-DerekPub? GerroldKimbrough? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-Self-Help-General? Subjects-Religion&Spirituality-Christianity-ChristianLiving-General? Subjects-Religion&Spirituality-Spirituality-Inspirational? Global Warming and International Law A Review of Strategies Island Pr? Kilaparti Ramakrishna? IslandPr? KilapartiRamakrishna? Substores-UnknownASINs-35 Subjects-Business&Investing-Reference-BusinessLaw? Subjects-Law-PracticalGuides-Business? Subjects-Law-Environmental&NaturalResourcesLaw? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Law-PracticalGuides-Business? Subjects-Nonfiction-Law-Environmental&NaturalResourcesLaw? The Little Raindrop Winston-Derek Pub? Ephraim, Jr. Caban? Geoffrey Brittingham? Winston-DerekPub? Ephraim,Jr.Caban? GeoffreyBrittingham? Substores-UnknownASINs-35 Subjects-Children sBooks-People&Places-FamilyLife-NewExperiences? Subjects-Children sBooks-People&Places-SocialIssues-NewExperiences? Subjects-Children sBooks-Science,Nature&HowItWorks-Nature-Fiction? Curso De Ortofrafia/Curso 4 Santillana USA Pub Co Inc? SantillanaUSAPubCoInc? undefined undefined A Survey of Priests Ordained Five to Nine Years Natl Catholic Education Assn? Eugene F. Hemrick? Dean R. Hoge? NatlCatholicEducationAssn? EugeneF.Hemrick? DeanR.Hoge? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Clergy-General? Subjects-Religion&Spirituality-Christianity-Theology-Ecclesiology? Subjects-Religion&Spirituality-Christianity-Catholicism-RomanCatholicism? Cal 97 New Jersey Graphic Arts Center Pub Co? Scott Barrow? GraphicArtsCenterPubCo? ScottBarrow? Substores-UnknownASINs-35 Subjects-Travel-UnitedStates-Regions-Northeast-MidAtlantic? Dollars and Sense Catholic High Schools and Their Finances 1992 Natl Catholic Education Assn? Michael J. Guerra? NatlCatholicEducationAssn? MichaelJ.Guerra? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Education-General? A Quest for Souls The Nation of Islam and the Black Church Can the Christian Community Survive? Winston-Derek Pub? Gerald F. Kiner? Winston-DerekPub? GeraldF.Kiner? undefined undefined Conference on Lasers and Electro-Optics (Technical Digest Series, 1993, Vol 11) Optical Society of Amer? OpticalSocietyofAmer? Substores-UnknownASINs-35 Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Science-General United States Catholic Elementary and Secondary Schools, 1993-94 Natl Catholic Education Assn? Alice Gallin? NatlCatholicEducationAssn? AliceGallin? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-Education-General? My First Five Years/Apricot Bouquet A Record of Early Childhood Cedco Pub? Anne Geddes? CedcoPub? AnneGeddes? Substores-UnknownASINs-35 Formats-Accessories? Estaba LA Pajara Pinta (Read Along and Sing Along) Santillana USA Pub Co Inc? SantillanaUSAPubCoInc? undefined undefined Manana Es Domingo (Read Along and Sing Along) Santillana USA Pub Co Inc? SantillanaUSAPubCoInc? undefined undefined The Old Time Religion A Wholistic Challenge to the Black Church Winston-Derek Pub? Gyasi A. Foluke? Winston-DerekPub? GyasiA.Foluke? Substores-UnknownASINs-35 Subjects-Religion&Spirituality? The Book of Enoch A Cross-Reference Exegesis of the Holy Bible Winston-Derek Pub? Ronald K. Brown? Winston-DerekPub? RonaldK.Brown? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Apocrypha? Subjects-Religion&Spirituality-Christianity-Bibles-General? Estaba LA Pastora (Read Along and Sing Along) Santillana USA Pub Co Inc? SantillanaUSAPubCoInc? undefined undefined El Patio De Mi Casa (Read Along and Sing Along) Santillana USA Pub Co Inc? SantillanaUSAPubCoInc? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature-LiteraryCriticism&Collections? The Leatherback A Peculiar Sea Turtle Winston-Derek Pub? Bernice White? Winston-DerekPub? BerniceWhite? undefined undefined When Daddy Comes to Visit Winston-Derek Pub? Maggie Burke? Jin-Ah Choi? Bin-Ah Choi? Winston-DerekPub? MaggieBurke? Jin-AhChoi? Bin-AhChoi? Substores-UnknownASINs-35 Subjects-Children sBooks-Issues-Divorce? Subjects-Health,Mind&Body-Relationships-Divorce? Subjects-Parenting&Families-FamilyRelationships-Divorce? Dr. Carter G. Woodson Winston-Derek Pub? Elaine M. Stone? Winston-DerekPub? ElaineM.Stone? undefined undefined Una Extrana Visita/Strange Visitors Alfaguara? Alma Flor Ada? Alfaguara? AlmaFlorAda? Substores-UnknownASINs-35 Subjects-Children sBooks-BooksonCassette-General? Subjects-Children sBooks-BooksonCassette-Languages? Subjects-Literature&Fiction-BooksonCassette-General? Subjects-Nonfiction-Education-LanguageInstruction-BooksonCassette-Children? Subjects-Reference-ForeignLanguages-BooksonCassette-Children? Formats-Audiocassettes-Children sBooks-General? Formats-Audiocassettes-Children sBooks-Languages? Formats-Audiocassettes-Literature&Fiction-General? Formats-Audiocassettes-General? LA Nina Sin Nombre (Los Derechos Del Nino=the Rights of Children) Santillana USA Pub Co Inc? Jose Luis Garcia Sanchez? Los Derechos Del Nino? Miguel Angel Pacheco? Asun Balzola? SantillanaUSAPubCoInc? JoseLuisGarciaSanchez? LosDerechosDelNino? MiguelAngelPacheco? AsunBalzola? Substores-UnknownASINs-35 Subjects-Children sBooks-Literature-LiteraryCriticism&Collections? Subjects-Children sBooks-People&Places-Multilingual-Spanish? Subjects-Children sBooks-Issues-General? LA Sorpresa De Mama Coneja Santillana USA Pub Co Inc? Alma Flor Ada? Vivi Escriva? SantillanaUSAPubCoInc? AlmaFlorAda? ViviEscriva? Substores-UnknownASINs-35 Subjects-Children sBooks-Animals-Rabbits-Fiction? Subjects-Literature&Fiction-ForeignLanguageFiction-Spanish? Subjects-Teens-Literature&Fiction-General? Cal 97 Airborne Cedco Pub? Philip Wallick? CedcoPub? PhilipWallick? undefined undefined Cal 97 America the Beautiful Cedco Pub? CedcoPub? undefined undefined Substores-UnknownASINs-35 洋書
https://w.atwiki.jp/snagplaces/pages/56.html
最終更新日時：2010年04月30日 (金) 13時32分59秒[編集] はじめに Apache2.2.3になってから、ある程度の仕様変更があったようで、httpd.confの設定が合っていないのか単純にアップグレードしただけでは動作しなくなります。 ここでは、新版になったApacheの基本的な構築を行います。mod-sslの設定はここでは取り上げません。 はじめに インストールPHP関連パッケージ Perl関連パッケージ MySQL関連パッケージ ユーザ作成 FTPアクセス許可 ファイアウォールアクセスの許可 設定ファイルの編集 サービスの起動 自動起動設定 インストール CentOSの基本インストールの状態であれば、Apacheは既にインストール済みなので、関連するパッケージのインストールのみ行います。 PHP関連パッケージ # yum install php php-mbstring 【依存パッケージ：pcp-cli php-common】 Perl関連パッケージ # yum install mod_perl perl-DBD-MySQL 【依存パッケージ：perl-DBD perl-BSD-Resource mysql】 # yum --enablerepo=rpmforge install perl-Jcode MySQL関連パッケージ # yum install mysql-devel mysql-server 【依存パッケージ：e2fsprogs-devel keyutils-libs-devel krb5-devel libselinux-devel libsepol-devel openssl-devel】 [▲上へ] ユーザ作成 Webコンテンツ編集用のユーザを作成します。FTPアクセスできれば十分なので、SSHログインはできない設定にしておきます。 # groupadd www # useradd www -g www -s /sbin/nologin # passwd www HTTPアクセスできるようにパーミッションも変更しておきます。 # chmod 711 /home/www [▲上へ] FTPアクセス許可 ユーザ追加直後はFTPアクセスできない設定になっていますので、アクセス許可できるようにしておきます。 # vi /etc/vsftpd/user_list [▲上へ] ファイアウォールアクセスの許可 FTP設定したときと同様に、WWW（HTTP）アクセスの許可もしておきます。 # setup ※「カスタマイズ」から「www(HTTP)」にチェックを入れる [▲上へ] 設定ファイルの編集 # vi /etc/httpd/conf/httpd.conf 【44行目当たり変更】OS名を表示しない ServerTokens Prod 【200行目あたり追記】phpの認識 AddType application/x-httpd-php .php AddType application/x-httpd-php-source .phps 【252行目あたり変更】連絡用メールアドレス ServerAdmin メールアドレス 【266行目あたり変更】サーバ名 ServerName ドメイン名 ポート 【321行目あたり変更】CGI、SSIの許可 Options Includes ExecCGI FollowSymLinks 【328行目あたり変更】.htaccessの許可 AllowOverride All 【282行目あたり変更】ルートアクセス時のパス #DocumentRoot "/home/www/public_html" DocumentRoot "/var/www/html" 【307行目あたり変更】ルートアクセス時の設定 # Directory "/home/www/public_html" Directory "/var/www/html" 【321行目あたり変更】ルートアクセス時に使用できる機能を設定 Options Includes ExecCGI FollowSymLinks Indexes MultiViews 【356行目あたりコメントアウト】ユーザディレクトリの有効 #UserDir disable 【363行目当たり変更】ユーザディレクトリの基本パス UserDir /home/*/public_html 【371行目あたり変更】ユーザディレクトリの設定 Directory /home/*/public_html 【372行目あたり変更】.htaccessの許可 AllowOverride All 【373行目あたり変更】ユーザディレクトリアクセス時に使用できる機能を設定 Options Includes ExecCGI FollowSymLinks Indexes MultiViews 【382行目あたり変更】 /Directory 【392行目あたり変更】ディレクトリアクセス時に強制アクセスするファイル名（左から優先） DirectoryIndex index.htm index.html index.cgi index.php 【486行目あたり変更】長いURIはログに記録しない LogFormat "%h %l %u %t \"%!414r\" % s %b \"%{Referer}i\" \"%{User-Agent}i\"" combined 【515行目あたり追記】その他ログに記録させない項目 SetEnvIf Request_URI "default\.ida" no_log SetEnvIf Request_URI "cmd\.exe" no_log SetEnvIf Request_URI "root\.exe" no_log SetEnvIf Request_URI "Admin\.dll" no_log SetEnvIf Request_URI "NULL\.IDA" no_log SetEnvIf Remote_Addr 192.168 no_log SetEnvIf Remote_Addr 127.0.0.1 no_log 【522行目あたり変更】上記以外のログを記録する CustomLog logs/access_log combined env=!no_log 【532行目あたり変更】Apacheのバージョンを表示しない ServerSignature Off 【550行目あたり変更】アイコンディレクトリ一覧を表示しない Options MultiViews 【572行目あたりコメントアウト】CGI専用実行アドレスは使用しない #ScriptAlias /cgi-bin/ "/var/www/cgi-bin/" 【658・659行目あたりコメントアウト】 #ReadmeName README.html #HeaderName HEADER.html 【665行目あたりコメントアウト】 #IndexIgnore .??* *~ *# HEADER* README* RCS CVS *,v *,t 【739行目あたり変更】日本語を優先 LanguagePriority ja en ca cs da de el eo es et fr he hr it ko ltz nl nn no pl pt pt-BR ru sv zh-CN zh-TW 【755行目あたりコメントアウト】 #AddDefaultCharset UTF-8 【786行目あたり変更】実行CGIに.plを追加 AddHandler cgi-script .cgi .pl 【807行目あたり変更】SSIを実行できる拡張子を指定 AddOutputFilter INCLUDES .shtml .htm .html .cgi .php 適当なHTMLやCGIを作成して動作確認してみてください。 [▲上へ] サービスの起動 # service httpd start 自動起動設定 # chkconfig httpd on [▲上へ]
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【Tags A Miku U wowaka tU】 Original Music title アンハッピーリフレイン English music title Unhappy Refrain Romaji music title Anhappii Rifurein Music Lyrics written, Voice edition by wowaka / a.k.a. / 現実逃避P(Genjitsutouhi-P) Music arranged by wowaka / a.k.a. / 現実逃避P(Genjitsutouhi-P) Singer(s) 初音ミク (Hatsune Miku) Fanmade Promotional Video(s) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： A shotgun and a Telecaster - words aligned in rows, so unhappy Alone, on the streets of the city - do you despise the sounds of gunfire? Singing until my voice gives - how much time have I wasted? Finally you came into my hands, so I can t very well let you go, now can I? "The one-man performance was a great success!" In my head, it s romanticized, a comic We re all out of bullets already - so can we retrace our steps here? Countless times we ve cherry-picked perfectly to our convenience We ve said bye-bye to indecent living - so we ll soon be picked up, won t we? Dizzy from going and making mistakes... Teach me how to turn back, please... There s nothing more I lack, no more - That so? That so, that so, that so... If you say so, then is it, oh, is it lucky? After thirty-nine seconds turning and turning on repeat, I saw it - is that happy? I can t say I quite understand! Countless sounds piled upon each other, and neither an end nor a beginning comes In short, all told, there s no point to it... And it would seem you don t get it either, huh? Beyond the screen, she was falling; An upside-down girl, an adult s world. A shotgun and a Telecaster - there s not a single word, so unlucky Wounded all over, it s game over; Doesn t it hurt just to look at? After a harsh stumble, I gave up on "one more time"; Each rolling was an erring - and each one had you rolling in laughter The one-man performance was a great success - sentimental after the festival It s a unanimous breakup - so can we turn ourselves around here? Singing until my voice gives - how much time am I wasting? Finally you came into my hands - say, how are you faring? Unpleasant dreams recur, making me uneasy... It s the fate for those who ve forgotten how to err... Please, please make me what I want to be - "No more. No more." That so? That so? That so? Why is it, oh, why is it happy? Four in the morning with empty eyes, wandering lost, and wherever I end up - is that happy? But this is just so fatiguing... Why is this, oh, why is this happy? I m sprawled out on a road with no end in sight, And it s crumbling to pieces At any rate, it would seem you re in the way... If you say so, then is it, oh, is it happy? After thirty-nine seconds turning and turning on repeat, I saw it - is that lucky? Strange, because I m not seeing any reward... Sounds only piling upon each other, and neither an end nor a beginning comes In short, all told, there s no point! Right, then, I ll be jumping off right away! Beyond the screen, she was falling; An upside-down girl, an adult s world. Is that...? Shotgun and a Telecaster - words lined up in rows, and they re unhappy All alone, sleeping on the city streets - I suppose the gunfire brings you no glee? Singing hard and loud until my voice gives - how much of that time could I d instead lived? Finally you fell down right into my hands, so I can t very well let you go, you understand? "One-man show, twas such a success!" In my head, it s a comic, a perfect romance We ve now fired the shots we had left - so if we want to backtrack, don t we have the chance? Cherry-picking every single event, choosing what s so perfectly convenient Our indecent living s already long past - so it s now about time that we ll be picked up, I m sure? Dizzy from going out, making all sorts of blunders... And I m begging you now, teach me how to put it under... I ve no wants, not a one, no more, no, none - Uh-huh? Uh-huh, uh-huh, uh-huh, uh-hun... You say so, then is it, oh, is it lucky? Thirty-nine eternal seconds turning, turning, turning, on repeat, I saw it - and is that happy? Cause I ve gotta say I don t quite understand! The noises keep piling, it s one upon next, and there s no end nor beginning like we come to expect So in short, so all told, there s just no point at all... But at least we re both quite clueless, I recall? In sight past the screen, in freefall was seen; A topsy-turvy girl, an all-too-adult world. Shotgun and a Telecaster - no words to be found, now that s unlucky Wounds all over, game over; Merely glancing, yet still, it s a painful sight, see? After stumbling, not-so-sublime, I gave up on "one more time"; Every time I rolled was every time I erred - and each one had you laughing back in your chair One-man show, twas such a success - once the festival s over, it s sentimental Everybody s scattered and fled - so if we want to turn around, now we shall? Singing hard and loud until my voice gives - how much of that time can I instead live? Finally you fell down right into my hands - say, how are you faring now, if I might ask? Vile dreams, they recur, leaving me feeling restless... It s your fate if you forget the way to err, I would guess... Please, oh please, do make me what I want to be - "No more. Not one." Uh-huh? Uh-huh? Uh-hun? Why is it, how is it, why is it happy? Empty eyes, four in the morning, walking sans direction; wherever I end up - is that place happy? That just doesn t fit with how this wears me out... Why is this, oh, is this, why is this happy? I m collapsed upon a road without an end for miles, And then, not to mention, it s crumbling and cracked Well, now, one thing s certain you re holding me back... You say so, then is it, oh, is it happy? Thirty-nine eternal seconds turning, turning, turning, on repeat, I saw it - and is that lucky? Strange, from what I see, there ain t any reward there... The noises just pile, it s one upon next, and there s no end nor beginning like we come to expect So in short, so all told, there ain t no point at all! Well, I must be jumping, time for me to fall! In sight past the screen, in freefall was seen; A topsy-turvy girl, an all-too-adult world. And is that...? Singable English Lyrics (translated by ナノ(Nano))： A rifle and a Telecaster, a chain of words that sound unhappy Alone I walk throughout this lonely town, do you hate the digital sound that I make? I ll sing until my voice gives out on me watching as the time passes by me Finally I have you where I want you Can t take any chances for fear I d lose you Hear, the crowd is shouting "Encore!" My head is a two-dimensional dream See, this is the very last shot It s time to turn it all upside-down Fitting every puzzle into place lost but there s no way to start over wish that I could say good-bye to these days I ve been waiting for someone to take me back home Lose the way, everyday, wandering round in circles tell me how, show me how to erase my past mistakes Are you sure this is all, I am sure this is all Alright? (Alright?) Alright. (Alright.), That s right. I see this, I see this as that I m lucky I d replay the thirty-nine seconds in my head, and they say that, they say that, they see I m happy but I couldn t ever really be satisfied with that I m counting, I m counting the sounds in my head it s an endless loop without a beginning or an end it means that, it means that there is no meaning I wouldn t be surprised if you couldn t understand Step into the screen, I m watching as you fall a girl inside a dream, a never ending dream A rifle and a telecaster a lack of words feeling unlucky Knock out, this is game over They re watching you as you fall to the ground You catch your feet again and again this will be the very last time Even as fall you make a mistake and you look up to see they were laughing at you Hear, the crowd is shouting "Encore!" as the curtains fall you look sentimental The show s over and everybody leaves It s time to turn it all inside-out I ll sing until my voice gives out on me watching as the time passes by me Finally I have you where I want you So, tell me now this is everything you need Nightmares, every night, turning around in my head This is how, I will try to remember my mistakes This is all that I ask, that I want, that I want "No more." (No more.) No more? (No more?) No more. How could this, could this ever make me happy? Blankly staring as the hand strikes four o clock Is this what they re calling the state of happy? even though I ve never felt so torn apart And if this, this could ever make me happy I would lose before I even reach the goal ahead Dizzy, I m swaying they watch as I fall I say that I m better off now out of their way I see this, I see this as that I m happy I d replay the thirty-nine seconds in my head, and they say that, they say that, they see I m lucky but I couldn t ever really be satisfied with that I m counting, I m counting the sounds in my head it s an endless loop without a beginning or an end it means that, it means that there is no meaning It s time to take the leap together once again Step into the screen, I m watching as you fall a girl inside a dream, a never ending dream And that is? Romaji lyrics (transliterated by motokokusanagi2009)： sandanjū to tere kyasutā kotoba no seiretsu anhappī tanshin tokai no machi nami uchi konda oto kirai desu ka? koe ga tsubureru made utatte nando no jikan o bō ni futta yattono koto te ni ireta anta tebanasu wake ni ikanai desho "wan man raibu daiseikō!" atama no naka wa shōjo manga zandan sude ni naku natta koko de ichido hiki kaesō ka sotto oita chō ī tsugō o nando mo hiroi age te tanda mittomo nai kurashi ni mō bai bai soro soro mukae ga kuru no desho? machigai sagashi bakari fura fura furi kaeri kata oshie te chōdai yo tari nai mono wa mō nai mō nai sōkai? sōkai sōkai iu nara sore wa sore wa rakkī kuri kaeshi no sanjū kyū byō mawari mawatte itada mieta sore wa happī? nattoku nante suru hazu nai wa! don dake oto o kasane tatte owari mo hajimari mo yatte wa konai na tsumari tsumai imi wa nai no dōyara anta mo wakaccha inai na? gamen no mukō ochite itta sakasama no gāru otona no sekai sandanjū to tere kyasutā kotoba mo nai yona anrakkī manshin sōi gēmu ōbā me ni mie te iya sōna kanji desu ne? sanzan tsumazuita sore wa mō ikkai o akirameta korogari tsutsu mo kanchigatta soko de anta ga waratteta nda wan man raibu daiseikō matsuri no ato no senchimentaru manjō icchi kaisan da koko de ichido uragae sōka koe ga tsubureru made utatte nando no jikan o bō ni futte yattono koto te ni ireta anta nē go kigen wa ikaga desu ka yoku nai yume no tsuzuki sowa sowa machigae kata o wasureta sono matsuro nari tai mono o chōdai chōdai "mō nai" sōkai? sōkai? dōshi te sore ga sore ga happī utsuro me no gozen yoji mayoi mayotte tadori tsuita soko ga happī? kon na ni tsukare te iru noni nā dōshi te kore ga kore ga happī owari mo mie nai michi ni nesobette gurari gurari kuzure chau wa dōyara anta no sugata ga jama de iu nara sore wa sore wa happī kuri kaeshi no sanjū kyū byō mawari mawatte itara mieta sore wa rakkī? nandaka fushigi to mukuware nai nā tada oto o kasanetatte owari mo hajimari mo yattewa konai na tsumari tsumari imi wa nai yo! sōda ne ima sugu tobi ori yō gamen no mukō ochi te itta sakasama no gāru otona no sekai sore wa? [wowaka, a.k.a., Genjitsutouhi-P, GenjitsutouhiP]